I RECALL.

 

LINDON COLLARD TOTAL RECALL

Sunday, May 14, 2023

THERE WAS A WIDESPREAD AND LIFELONG 

MOTIVATION BY VEXATIOUS DISCONTENTED 

PEOPLE TO CRASH WHAT I WAS DOING AND 

CANCEL ME BECAUSE THEY THOUGHT I HAD 

IT TOO GOOD AND I SHOULD EXPERIENCE 

LOSS AND POVERTY AND LONELINESS.

MY SISTER JOANNE TOLD ME AS I STROVE TO BECOME PRACTICED AND SKILLFUL ENOUGH PLAYING HARMONICA TO PERFORM EVERYTHING I WOULD BE REQUIRED TO TO OBTAIN EMPLOYMENT IN THE MUSIC INDUSTRY, AND I HAD TO SUPPORT MY FAMILY WITHOUT ANY HELP FROM MY SPOUSE AND I HAD TO MAKE THE EXTORTION PAYMENTS TO MY WIFE AND MY MOTHER OR THEY WOULD COST ME EVEN MORE MONEY AND PROPERTY LOSS AND THEY HAD ALREADY  COST ME MY TIME AND MY MOBILITY.

"YOU HAVE TO LEARN THE MEANING OF LOSING " JOANNE (COLLARD) PHILLION. 

OOPS, THIS IS ANOTHER JOANNE REFERENCED VIDEO.

HERE IS THE JOANNE VIDEO I WAS LOOKING FOR.

THAT WAS AN EXAMPLE OF A FAMILY BOORS HAMPERING ME AND WANTING TO "TEACH" ME ABOUT "HARD TIMES".

IN THE WORLD OUTSIDE THE FAMILY EXTORTION AND FALSEHOOD THERE WAS ANOTHER CONSTRICTION TO BE APPLIED TO MAKE EVERYTHING I WAS DOING SO MUCH MORE DIFFICULT. MY EX-WIFE EXULTANTLY PROCLAIMED:"THE POLICE ARE TURNED ON TO YOU, I HAVE TOLD THEM (THAT)YOU ARE VIOLENT AND AGGRESSIVE AND 'YOU FLY OFF THE HANDLE'. THE POLICE ARE TURNED ON TO YOU." "I WANT YOU IN JAIL OR ON THE STREET" BETTY OR TRIXIE SAID.

THE POLICE NEVER GOT INTO CONTACT WITH ME OR INTO CONFLICT WITH ME EXCEPT WHEN THEY WERE SENT TO MY HOUSE, HOLD YOUR BREATH NOW, ALMOST ALWAYS BY WOMEN, BUT MEN ALSO DID IT, ACTING POWERED BY MY EX-WIFE'S FALSEHOODS

August 03, 2022

THERE WERE ONLY THREE SPEEDING TICKETS FROM 1980 ON, WHERE I WAS IN CONTACT WITH THE POLICE I PAID THE SPEEDING TICKETS THAT WERE BONA FIDE AND I FOUGHT ONE PHONY ESTIMATED SPEEDING TICKET.

( 2015 or a bit earlier I was ticketed and I paid for two more speeding tickets, on the Sokeahalla four lane headed to Sooke, near Humpback Road.)  

THE FACT THAT I DID NOT HAVE ANY CONTENTIOUS CONTACT WITH POLICE EXCEPT WHEN THEY WERE SENT TO MY HOUSE BY FAKE 911 CALLS MEANS MORE THAN WHAT IT WOULD SEEM TO MEAN.

IF MY EX-WIFE, BETTY COLLARD OR TRIXIE DASHEVSKY, HAD NOT SAID I WAS VIOLENT AND AGGRESSIVE AND "ABUSIVE" AND HAD NOT ENCOURAGED OTHER WOMEN TO CALL THE POLICE ON ME WHENEVER POSSIBLE, I MIGHT NOT HAVE HAD ANY CONTENTIOUS CONTACT WITH THE POLICE. 

MORE PROBLEMS WERE STARTED BY PEOPLE WHO CAUSED ACCIDENTS WHERE I WAS INJURED. I THINK I WOULD HAVE BEEN TREATED DIFFERENTLY BUT FOR THE LIES TOLD BY MY EX-WIFE. POLICE WERE NOT MOTIVATED TO HELP ME AS WELL BECAUSE THE EX-WIFE LIED SAYING I "HATED "LAWYERS AND POLICE. MY EX-WIFE BROUGHT ALL OF THEM ONTO ME WITH HER FALSEHOODS.

CORONATION CONCERT SCHMALTZ

THE WEAK MUSIC WITH THE SHRILL VOCALS WAS ANNOYING. I HAVE BEEN WRITING AN UNRELATED E-MAIL AND ONLY ONE LIONEL RICHIE SONG WAS INTERESTING ENOUGH TO HAVE ME REWIND AND CONCENTRATE ON HOW SOME OF THE MUSIC WAS DONE AND TO WATCH THE GUITAR PICKING AND FINGERING.

THE SHOW REMINDS ME OF PRE-ROCK MUSICALS IN THE 1950'S WHICH WERE ON THE AIR WHEN I WAS A SMALL CHILD.

THE OLD TIMERS WERE SCHMALTZ WELL REHEARSED AND SMOOTH. 

KATIE PERRY'S SCHMALTZ IS SCREECHY AND I WILL TURN IT OFF. 

WHAT A RELIEF. 

THE ENTIRE SHOW HAD A HUM OR DIN IN IT THAT SET ME ON EDGE. 

FROM SHELL SHOCK LIFE, posted to Facebook.

I HAVE TO GET TO BE FIT ENOUGH TO RE-INSTITUTE MUSIC PRACTICE.

IN THE 1990'S I WOULD WRITE SONGS, PRACTICE THEM UNTIL I COULD DO THEM PERFECTLY, THEN ON A NEW DAY OF PRACTICE, START BY PLAYING THE SONG THREE TIMES IN A ROW AND RECORDING IT. THERE ARE A NUMBER OF 2005 ON VIDEOTAPED VERSIONS OF THE WRITE, PRACTICE, AND RECORD PROCESS BEING EXECUTED. THERE ARE THREE HUNDRED HOURS OF STEREO TAPES MADE ON A SONY HX PRO USING NEW ONE SIDE ONLY HIGHEST QUALITY TAPE

SHELL SHOCK LIFE

My devastating Shell Shock is the result of childhood to 76 years old with sociopaths 

harassing and intimidating me trying to effect their terminal supervision conquest.

Sunday, April 23, 2023

SHELL SHOCK MAY BE AN IMPORTANT CONTRIBUTOR TO MY TONIC IMMOBILITY, COLLAPSE AND THE VIRTUAL TO TOTAL PARALYSIS WHICH I AM EXPERIENCING NOW. I CANNOT EVEN DO MY, PREVIOUSLY ALWAYS DONE DAILY, MUSIC PRACTICE.

I FIND MYSELF, REPEATEDLY, IN A SEMI-FETAL POSITION. I AM HALF CURLED AND MY LEFT LEG IS BENT MORE THAN THE RIGHT LEG. I DO NOT MOVE A MUSCLE.

 Postscript: I often do not get relief without applying traction to my back and/or neck,       or legs and in addition, often, I have to interlock my fingers and apply traction by     curling my hand to pull on my  fingers and my arm or I pull out my fingers by         grasping and twisting my fingers and applying traction to my finger joints.

THIS IS THE "THROWN DOWN" PART OF ONE OF THOSE MOTHER'S ATTACKS WHERE MY NECK WAS TWISTED TO THE RIGHT AND THEN YANKED BACK TO THE LEFT AND I WAS THROWN TO THE FLOOR.

WHEN I WAS SNUCK UP ON AND THROWN DOWN, AND SOMETIMES JUMPED ON AS WELL, A PAVLOVIAN COLLAPSE RESPONSE WAS CREATED. 

I CAN COLLAPSE IF I AM THREATENED OR IF I THINK SOMEONE IS GOING TO SNEAK UP ON ME OR IF AN UNJUST PUNISHMENT IS ATTEMPTED. THE IMPOSITION OF A PLAN TO HAVE NUMEROUS AUTHORITIES STALK, CHARGE AND JAIL ME CREATES A WEAKNESS IN MY ENTIRE BODY.

WHEN I HAVE BEEN SURROUNDED BY HOSTILE PERSONS I HAVE COLLAPSED, USUALLY DOWN MY LEFT SIDE, WHICH COMPRESSED AND INJURED MY KNEE.

AFTER EVERY INJURY, COLLAPSE OR CONVULSION, VIRTUAL PARALYSIS AND TONIC IMMOBILITY SET IN, ALONG WITH, AT THE WORST, THE REVERSE ARCHED BACK WHICH IS A SYMPTOM OF  

SHELL SHOCK.

GREEN DAY'S GREATEST HIT

FOR MANY YEARS I HEARD GREEN DAY.

GREEN DAY WAS OK. I WAS NOT AMAZED NOR TRANSPORTED. HOWEVER, THE NEW INTRO TO BILL MAHR REAL TIME IS ABSOLUTELY SPECTACULAR!

THE NEW DRUM SOLO THAT BEGINS IS BETTER THAN THE OLD INTRO SOLO. IT IS MORE ON SCALE AND IT HAS BETTER PUNCTUATION AND INCREDIBLY ACCURATE TIMING AND ACCELERATION.

I HAVE TO LEARN HOW TO EMULATE THE CHARACTER AND THE TONE AND THE TERRIBLE SENSE OF IMPENDING DOOM WHICH THE GUITARS PORTRAY AT THE END OF THE INTRODUCTORY MUSIC.

Kelly Clarkson

Kelly Clarkson, the Wayfair Lady and Television host surprised me with what a great singer she is.

You can laugh at me if I was deceived by a spoof, but I did see her and hear her on her own Kelly Clarkson television program.

Her voice was absolutely spectacular. She sang in a warm Contralto which soared and rose into quite appropriate crescendos without screeching.

I am critical of those who wander off key or have to compensate for being off the timing of bars. Clarkson did none of this. She sang what she sang straight up. It was very impressive.

I scrolled on to her program by accident, for less than a minute as the music was ending. The band was good, they looked pleased and happy.

Saturday Night Live March 11 2023

I WAS DISAPPOINTED BY JACK WHITE.HE WAS MUCH BETTER WHEN I CRITIQUED HIM BACK IN OCTOBER OF 2020, WHEN I SAID HIS GUITAR WAS GREAT BUT HIS VOICE WAS NOT.

ON SATURDAY NIGHT I DID NOT "GET" HIS SONGS AND I FOUND HIS GUITAR LEAD EXPANSIONS IRRELEVANT TO WHAT HE WAS PORTRAYING IN THE POORLY SUNG SONGS.

I HAVE DECLARED THAT I WOULD COMPOSE A LEAD RELEVANT TO THE SONG AND TO THE AUDIENCE. I TOLD GUITARISTS I PLAYED LIVE WITH THAT THEY WERE PERFORMING LEADS WHICH WERE IRRELEVANT
TO THE SONG. 

I THINK RELEVANCE IS A NECESSITY NOT SOMETHING EXTRA. IT IS A BARE MINIMUM TO BE ATTAINED IF YOU ARE PLAYING PUBLICLY.

SUPER BOWL LVII

 

TIED AT 35/35 THIS FIELD GOAL WON THE GAME 38/35.

 

THE GAME WAS REALLY INTERESTING WITH A CLASSIC COMEBACK BY KC.

RIHANNA WAS NOT REALLY INTERESTING. THE THEME WAS INCOMPREHENSIBLE TO ME.

MOST OF THE LYRICS WERE INCOMPREHENSIBLE.

THESE GUYS WERE INCOMPREHENSIBLE.

THE SOUND TRACK OF "MORTALWOUND"

THE ORIGINAL LANGUAGE: PERSIAN.

MORTAL WOUND IS SET IN IRAN WITH WEALTHY FAMILIES IN A PRIVILEGED  ARABIC CULTURE.

THROUGHOUT, AND IN PARTICULAR AT THE END OF EPISODES, THERE IS AN IMPECCABLY PERFECT GUITAR LEAD.

HABIB KAZAEL FAR IS CREDITED WITH "MUSIC" AND AS "COMPOSER".

THE MUSIC IS VERY GOOD THROUGHOUT. 

THE PLOT IS REALISTIC AND GRIPPING AND THE PORTRAYAL OF THE NATURE OF THE CULTURAL OR RACIAL CHARACTERISTICS WHICH THE SELFISH, EMOTIONAL AND CAPRICIOUS PERSONALITIES EXHIBIT CREATES SPECULATION ABOUT OTHER BAD BEHAVIOR.

THE PLACE I PROBABLY WOULD HAVE SUCCEEDED WITH WAS BURRVILLA

 

INSTEAD I STAYED IN THESE CARS WHEN I WENT TO VANCOUVER TWICE A MONTH TO SPEND A WEEKEND PURSUING MY LIVE MUSIC STAGE PERFORMANCE WITH HOHNER DIATONIC HARMONICAS, TRYING HARD TO GET A JOB WITH A REAL ORIGINAL MUSIC ROCK BAND.

FAMILY BOORS LOOM

THE FAMILY BOORS WERE VOCAL IN THEIR DEFIANCE OF MY ART WRITING AND MUSIC. THEY WERE MILITANT AND OBNOXIOUS AND OMNIPRESENT TO INTERFERE WITH ANY BENEFIT WHICH I MIGHT BE RECEIVING. THEY WERE FALSE AND MANIPULATIVE AND DEFAMATORY IN THAT THEY CLAIMED TO KNOW I WHAT I WAS THINKING AND DOING IN MY ART, WRITING , MUSIC AND BUSINESS WHICH THEY WOULD CLAIM WAS THE OPPOSITE OF WHAT I SAID AND WROTE. THEY SAID I WAS CRAZY WHILE I WORKED AND ACQUIRED SKILLS AND CREATED MY ART AND MY INFRASTRUCTURE.

I WANTED TO PROVIDE MYSELF WITH SECURE NO COST ACCOMMODATION SO I COULD PURSUE ART, WRITING AND MUSIC

January 28, 2023

THE FAMILY BOORS WANTED ME TO HAVE TO WORK, PREFERABLY AT A MENIAL JOB.

WHAT WAS THE MOTIVATION?

WHERE MY MONEY WAS SCOOPED UP IT IS OBVIOUS WHAT THE MOTIVATION WAS.

THERE WERE OTHER GOALS WHICH WERE UTTERED OVERTLY

OR WHICH COULD BE DEDUCED WHICH WOULD STOP MY USE OF MY LOW COST ACCOMMODATION, PREVENT ME FROM TRAVELLING TO OTHER LOCATIONS OR EVEN TO HAVE ME INCARCERATED WHICH WOULD PREVENT ME FROM PURSUING THE POPULARIZATION AND MONETIZATION OF MY ART, WRITING AND MUSIC WHICH WAS NECESSARY TO FULLY DEVELOP MY WORK. I WOULD NEED MONEY TO HIRE PEOPLE AND TO CREATE NEW CREATIVE  INFRASTRUCTURE. WHETHER IT WAS LIVE MUSIC OR CINEMATOGRAPHY,
I WOULD NEED MONEY.

I WAS TO INHERIT ENOUGH MONEY AS EARLY AS 1964, TO BE ABLE TO GET STARTED ON MORE ELABORATE PROJECTS BUT THE 

COLLARD FAMILY BOORS TOOK ALL OF MY INHERITANCES THREE TIMES. 

I NEVER GOT TO COMPLETE THE FIRST STEP OF MY PLAN WHICH WAS TO HAVE ACCOMMODATION IN VANCOUVER OR VICTORIA TO BE ABLE TO WORK AT MY ART, WRITING AND MUSIC. THE RURAL HOME WHERE LIVE MUSIC COULD BE PRACTICED WAS EQUALLY NECESSARY.

THERE SHOULD BE A SUPPORT AND SUSTENANCE SYSTEM FOR ARTISTS, WRITERS AND MUSICIANS WHO HAVE TO WORK FOR MANY YEARS WITHOUT EARNING ANY MONEY FROM THAT WORK

I AM WATCHING THE DESTRUCTIVE ELEMENTS IN THE UNITED STATES OF AMERICA IN THE REPUBLICAN PARTY. THEY ARE REFERRED TO AS "WANTING TO BURN DOWN THE HOUSE".

 

THAT HAS BEEN A BIG PROBLEM FOR LINDON COLLARD. HE HAD A HOUSE TAKEN FROM HIM,

AND HE HAD THE HOUSE HE FINISHED HIMSELF ACTUALLY BURNT ALONG WITH EVERYTHING HE OWNED 

AND RIGHT AFTER THAT LINDON'S WIFE BETTY WORKED ONE DIVORCE THREAT EXTORTION AFTER ANOTHER, LINDON AND BETTY OR TRIXIE  WERE MARRIED FOR EIGHTEEN MONTHS WHEN THE WIFE STARTED. SHE ACTUALLY REPEATEDLY  THREATENED "I DO NOT CARE IF WE END UP ON THE STREET" WHICH MEANT NO HOUSE FOR YOU, LINDON.

This third permanent home was borrowed on by Lindon's wife until it was actually financially gone and had to be paid for again with inherited money.  The money had to be paid to the Collard Family Women's Criminal gang despite the fact that Lindon had never received a red cent of the borrowed money. His wife got all of it and wasted it on her ill conceived business ventures. She also bought herself a house (or two) and got extortion money and welfare as well. 

IT ALSO WOULD HAVE MEANT NO HOUSE FOR LINDON'S CHILDREN EITHER. THAT ANGUISHED WORRIED HIM SEVERELY.

LINDON'S WIFE BETTY ACTED IN A DIAMETRICALLY OPPOSITE DIRECTION TO THAT THAT WHICH LINDON HAD PLANNED TO ADHERE TO BY HAVING ALL HIS MONEY SPENT ON HER BUSINESS AND DRIVING 2 CARS ON AN HOUR LONG COMMUTE SIX DAYS PER WEEK WITH THE KIDS IN DAYCARE (MORE EXPENSE) AND THEN ACTUAL DIVORCE BY COP AND SHE STEADFASTLY DECLARED SHE DID NOT CARE, SHE WANTED LINDON TO BE HOMELESS OR IN JAIL AFTER HE HAD PUT THREE PERMANENT HOMES TOGETHER TO HOUSE THE FAMILY HE HAD AGREED TO FEED CLOTHE AND SHELTER. LINDON NEVER AGREED TO DO ANYTHING ELSE.

FROM THE BULLRUSH FROG "WASTE NOT WASTE NOT" POINT OF VIEW, WHAT A TERRIBLE WASTE OF RESOURCES AND WHAT TERRIBLE ENVIRONMENTAL DAMAGE AND WHAT A WASTE OF POOR LINDON'S TALENTS AND EFFORTS AND MONEY WHICH MEANS LINDON NEVER FINISHED ANY OF HIS PROJECTS, MAKING EVERYTHING A WASTE OF HIS TALENT AND HIS EFFORT AND HIS MONEY.

LINDON FINALLY GOT RID OF BETTY OR TRIXIE'S POWER OVER HIM BY PAYING AGAIN, HE WAS UNDERWATER IN DEBT ON HIS PROPERTY TO THE COLLARD FAMILY WOMEN'S CRIMINAL GANG AND DRAINED DRY EACH MONTH OF ALL EARNINGS BY HIS WIFE'S EXTORTION.

STILL, WHEN LINDON GOT TO ACHIEVE SOME RECOGNITION IN ENGLAND IN 1992 BETTY OR TRIXIE HAD POLICE AND BYLAW AND SHERIFFS TO TRY YET AGAIN TO SEIZR LINDON'S HOUSE AND MAKE HIM HOMELESS WHEN HE WAS ALREADY DESTITUTE AND HAD THE AUTHORITIES AFTER HIM, CAUSED BY HIS WIFE'S LIES.

THE MANY COLORS AND TONES OF JEALOUSY

"DID YOU EVER THINK THAT IT WAS YOU, NOT A BUNCH OF BAD WOMEN THAT YOU KNEW?" I CAN NOT FIND THE COMMENT. I HAVE ATTEMPTED TO BE ACCURATE.

I THINK THAT THERE IS ONE AND THE SAME PROBLEM IN THE RELATIONSHIP BETWEEN MYSELF AND THEM.

IT IS A MATTER OF MY MANY COLORS AND TONES. I AS I DRESSED TO PLAY HARMONICA WAS NOT AWARE THAT THIS MANY COLORED SILK AND VELOUR COSTUMING WOULD OFFEND JEALOUS PEOPLE. 

THE MANY TONES OF MUSICAL PERFORMING MAY ALSO HAVE BEEN A CATALYST IN THE GENERATION OF JEALOUS HATRED. 

I CANNOT SEE ANY PATH THAT A WRITER OR A MUSICIAN COULD FOLLOW WHICH WOULD NOT REQUIRE STABLE, ADEQUATE AND PERMANENT FINANCIAL SUPPORT

IT WOULD BE HIGHLY UNLIKELY THAT A WRITER OR A MUSICIAN WOULD RECEIVE  A SALARY IMMEDIATELY UNLESS THEY WORKED FOR A NEWSPAPER OR THEY PLAYED IN A  BAR BAND AND EVEN THOSE LOW PAYING JOBS REQUIRED EDUCATION.

I BELIEVED WHAT I WAS TOLD ABOUT THE REQUIREMENT OF A DAY JOB TO SUPPORT MYSELF WHILE I DEVELOPED MY ABILITY TO WRITE AND LATER TO COMPOSE ORIGINAL MUSIC AND PERFORM IT LIVE.

THERE WERE AN UNBELIEVABLE NUMBER OF INSTANCES WHERE MY PLANS WERE DERAILED. IT IS POSSIBLE THAT MY BEST CHANCE TO BECOME A WRITER AND WHICH WOULD HAVE DEFINITELY ENTERED ME INTO THE MUSIC INDUSTRY WAS IN 1964 WHEN I WAS GOING TO USE MY TRUST FUND TO BUY A LITTLE HOTEL WHICH HAD A DANCE HALL WITHIN IT.

IT WAS LONG AGO THAT I HAD MY LAST CHANCE TO WORK AT MY ART WRITING AND MUSIC. IN 1992 I WAS IN LONDON ENGLAND WHERE I MADE A FAVORABLE IMPRESSION AND I JUST COULD NOT LEAVE TO GO BACK THERE TO ADVANCE MY MUSICAL CAREER MY PAID OFF EX-WIFE WOULD NOT STOP POLICING ME.

I HAD ABOUT $2 MILLION OF INHERITED MONEY STOLEN FROM ME BY MY SIBLING FAMILY AND MY WIFE. THAT WOULD HAVE SUPPORTED ME TO DO MY MUSICAL PROJECTS VERY NICELY.

THERE WAS THIS HAMPERING AND HARASSMENT AS WELL. 

I WAS CRUSHED. 

LINDON COLLARD TOTAL RECALL

FROM "LINDON COLLARD TOTAL RECALL"

 

PERIODICALLY I REALIZE HOW ABSURD THE CONTROLLING FREAKS ARE.

MY MUSICAL ENTERPRISE HAD  

LITTLE TO DO WITH ANYONE 

ON VANCOUVER ISLAND AS 

IT HAPPENED IN MY STUDIOS 

HERE OR IN VANCOUVER. 

ONCE I GOT FARTHER AFIELD, 

BUT I WAS A CITY OF VANCOUVER 

MUSICIAN. 

WHY WOULD THE COLLARD FAMILY 

WOMEN BE INVOLVED WITH THAT 

AT ALL? 

THEY WANTED TO STAMP IT OUT.

THE POLICE HERE AT OTTER POINT, 

THE SOOKE RCMP, WERE VERY 

INTERESTED IN DISCREDITING 

ME AND IN ( FROM FOI ) INTERFERING 

WITH MY MUSIC CAREER. WHY? 

THE VANCOUVER POLICE, IN THE 

CITY WHERE I SOUGHT MY CAREER 

DID NOT INTERFERE WITH ME EXCEPT 

FOR FRITZ VERHOOVEN'S POLICE 

FRIEND FROM THE DOG SQUAD. ( I FORGOT. )

WHY WOULD POLICE BE INVOLVED 

WITH NOT A PARTYING BUT AN 

ORIGINAL COMPOSING AND 

LYRICIZING MUSICIAN?

FROM "LINDON COLLARD TOTAL RECALL"

 

PERIODICALLY I REALIZE HOW ABSURD THE CONTROLLING FREAKS ARE.

MY MUSICAL ENTERPRISE HAD  

LITTLE TO DO WITH ANYONE 

ON VANCOUVER ISLAND AS 

IT HAPPENED IN MY STUDIOS 

HERE OR IN VANCOUVER. 

ONCE I GOT FARTHER AFIELD, 

BUT I WAS A CITY OF VANCOUVER 

MUSICIAN. 

WHY WOULD THE COLLARD FAMILY 

WOMEN BE INVOLVED WITH THAT 

AT ALL? 

THEY WANTED TO STAMP IT OUT.

THE POLICE HERE AT OTTER POINT, 

THE SOOKE RCMP, WERE VERY 

INTERESTED IN DISCREDITING 

ME AND IN ( FROM FOI ) INTERFERING 

WITH MY MUSIC CAREER. WHY? 

THE VANCOUVER POLICE, IN THE 

CITY WHERE I SOUGHT MY CAREER 

DID NOT INTERFERE WITH ME EXCEPT 

FOR FRITZ VERHOOVEN'S POLICE 

FRIEND FROM THE DOG SQUAD. ( I FORGOT. )

WHY WOULD POLICE BE INVOLVED 

WITH NOT A PARTYING BUT AN 

ORIGINAL COMPOSING AND 

LYRICIZING MUSICIAN?

CRINGE ME CRINGE ME: DIM MY LIGHTS

I JUST RECALLED WHAT SHUTS DOWN THE EXUBERANCE ENERGY AND CONFIDENCE OF THE LIVE ROCK PERFORMER.

THE CREATION OF WORRY, AND THE FEELING OF BEING WATCHED AND PROBED TO EXPOSE SOME DEFECT AND HAVING ONE'S MOTIVATION AND ONE'S DEDICATION AND PROFICIENCY AND EVEN ONE'S VERACITY AND SANITY QUESTIONED SAPS THE ENERGY AND BRAVADO OF THE LIVE ROCK PERFORMER.

WHEN I WAS AT MY PEAK IN CONFIDENCE AND IN PROFICIENCY THE ASSOCIATED CHEER AND ENERGY WAS MIS-CHARACTERIZED AS SOME LACK OF CONTROL OR LACK OF DECORUM OR LACK OF A REALISTIC OUTLOOK.

THEN THE FAMILY FELT ENTITLED TO STEAL FROM ME TO FORCE ME TO LABOR AT THEIR ONEROUS TASKS AND THEN OUTRAGED, THE FAMILY OF NARCISSISTS PHYSICALLY ATTACKED ME AND THEY DREW THE ATTENTION OF THE POLICE TO ME AND MY EX-WIFE AND HER LAWYER TRIED TO HAVE POLICE SEIZE MY GOODS AND MY MUSICAL INSTRUMENTS AND MY HOUSE AND STUDIO. THE DEFAMATION SPREAD AND OTHER PERSONS MADE THINGS UP ABOUT ME AND SENT DOGCATCHERS AND SHERIFFS AND BY-LAW OFFICERS OUT TO MY HOUSE AND STUDIO .......

CAN YOU BELIEVE I WAS CRINGING?

Postscript from Facebook:

Lindon Collard

  · 

Shared with Public

IT TAKES A LOT OF PRACTICE AND LIVE PERFORMANCE TO GET INTO THE ENERGETIC CONFIDENT EXUBERANT STATE OF MIND THAT IS NECESSARY TO GET UP IN FRONT OF AN AUDIENCE AND PLAY.

I HAVE HAD TO WORK MY WAY UP TO THAT GLORIOUS STATE FROM LAYING THERE UNABLE TO MOVE TO DANCE AND WAIL WITH MY HARMONICAS.

IT COULD TAKE ONLY A SINGLE BAD EXPERIENCE TO MAKE ME CRINGE AND TO BE UNABLE TO PERFORM OR EVEN TO LEAVE THE HOUSE DUE TO A RELAPSE INTO SHELL SHOCK OR TONIC IMMOBILITY.

SOME OF THOSE WHO LACK THE SPARK, WHO DO NOT FEEL LIKE PUTTING IN THE HOURS OF PRACTICE WHO WILL HARASS AND DEFAME AND FAKE 911 CALL AND RAID ME TOPPLING ME FROM THE GLORIOUS STATE OF CONFIDENT PERFORMANCE INTO THE FUGUE AND TERROR OF CRINGING.