THE STERLING SILVER PLATING WAS MOSTLY BURNED OFF THIS ORIGINAL SUPER ASYLUM RACER IN THE CHARMING ARSON PERPRETRATED BY IRELAND AND PALFRY AS THEY PROTECTED THE LOGGER CULTURE; SOOKE WAS TO BE "ONLY FOR LOGGERS".
THE MARIJUANA CULTURE IN VANCOUVER BRITISH COLUMBIA WAS SPARKING UP A VERY VERY LONG TIME AGO WITH ART, LITERATURE AND MUSIC AS WELL AS THE HASHISH AND GRASS.
PEOPLE WHO WANTED TO DISREGARD THE CREATIVE ASPECTS OF THE NEW MARIJUANA CULTURE WERE FOCUSSED ON THE MONEY OR FOCUSSED ON EXPLOITING THE VULNERABILITY OF THE "ILLEGAL" MARIJUANA COMMUNITY.
I WORKED IN THE JEWELLERY MANUFACTURING INDUSTRY STARTING IN 1974. WE MADE A LOT OF THE PRODUCTS FOR THE EXISTING CULTURE.
CHARMS AND RINGS AND PENDANTS WERE PRODUCED. I ALSO HAD A COITERE OF NATIVE ARTIST CUSTOMERS WITH THEIR CULTURAL ARTIFACTS.
THE MARIJUANA CULTURE PEOPLE OR HIPPIES HAD BOUTIQUE STORES WHERE A LOT OF "STONER STYLED" MERCHANSISE WAS SOLD.
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| Boutique jewellery buyers would orfer reprofuctiond in silver. |
ADVANCED METHOD JEWELlERY MANUFACTURING MET THE MARIJUANA CULTURE OVER SILVER PENDANTS AND RINGS AND EARRINGS AND BRACELETS IN THE STYLE OF THE NEW CULTURE WITH LONG HAIRED GIRLS WITH STARS IN THEIR TRESSES, UNICORNS AND DRAGONS.
I made the stars and and the moon in moonlight 10 White and innumerable castings in Silver and Gold exACTLY IN THE STYLE OF THESE PEICES.
I HAD PRODUCED MODERN COMPACT WATER PIPES, THE ANAHIALATOR, THE ASYLUM RACER AND THEN AT THE FACTORY, THE SUPER ASYLUM RACER IN GLEAMING STERLING SILVER WITH A WHITE LATEX RUBBER CORK AND FLUTED STEMMED GLASS BOTTOMS TO HOLD THE WATER.
IN 1980 MY HOME, FACTORY EQUIPMENT AND EVERYTHING ELSE WAS BURNT IN AN ARSON BY LOCAL REDNECKS. THERE WAS THEFT AS WELL.
I WAS DEVASTATED, IMPOVERISHED AND ANGUISHED AND THE MEMBERS OF MY FAMILY MOVED ON ME IN AN ACT OF CULTURAL TRAITORISM TAKING OVER STARTING IN 1980 AND CONTINUING INTO THE 2000'S.
THEY EXTORTED MY MONEY, FORCED ME TO MAKE MONTHLY PAYMENTS AND RUTHLESSLY DEFAMED AND RECKLESSLY ENDANGERED ME TO STOP MY MARIJUANA CULTURE WRITING AND MUSIC WHICH THEY SLANDERED AS CRAZY, "THINKS HE IS GOING TO BE A ROCK STAR", AND AS HATING WOMEN AND POLICE AND TRIED TO GET ME JAILED WHICH DID HAPPEN.
I HATE YOU I HATE ALL MEN, MY WIFE; I HATED THE COLLARDS SO I ATTACKED YOU, MY BROTHER'S WIFE. IF I HEAR YOU TELLING ANYONE YOU PLAY HARMONICA I WILL DISENHERIT YOU FROM YOUR FATHER'S MONEY.
TARGET HIS MUSIC; IT IS ALL HE CARES ABOUT. (COULD BE TRUE.) WHEN I WOULD PRACTICE THE NEIGHBOR LADY ENCOURAGED BY MY EX-WIFE WOULD SNEAK ON TO MY PROPERTY TO SEE IF I WAS PRACTICING SO THAT SHE COULD SEND BY-LAW AND POLICE TO INTERRUPT ME.
IN THE 1970'S THE FAMILY MEMBERS WERE UBER HIPPIES, I WAS NEVER HOLY ENOUGH AND THEN A FEW YEARS LATER THEY WERE ATTACKING THE VALUABLE UPLIFTING ENLIGHTENING MARIJUANA CULTUREART LITERATURE AND MUSIC UNDER THE GUISE THAT IT DEMONSTRATED INSTABILITY AND DANGER.
IN 1980 MY WIFE FANCIED HERsELF TO BE AN ENTREPRENEUR POWERED BY THREATS OF DIVORCE AND SIBLING FAMILY INHERITANCE WITHDRAWL THREATS BY WOMEN WHO DID NOT EARN THE MONEY. THERE WAS NO REQUEST FOR EQUALITY, NO BUY IN, NO TRADE OFF, JUST THE BALD FACED LIE; "WOMEN ARE FASTER SMARTER AND STRONGER WE ARE TAKING OVER".
MARIJUANA CULTURE, ART, LITERATURE AND MUSIC WERE TO BE SECONDARY TO THE OVERARCHING DOCTRINE OF WOMAN'S SUPREMACY WHICH WAS TO BE ENFORCED BY THE INVOCATION OF THE POLICE STATE TO DESTROY MEN AND THE MOST VULNERABLE MEN WERE THE MEN OF THE MARIJUANA CULTURE.
