Saturday, 3 December 2011

LIVE ROCK CRITIC 24 NEW YORK DOLLS LIVE IN NEW YORK


 LIVE ROCK CRITIC 24 NEW YORK DOLLS LIVE IN NEW YORK

                                                                             
David Johansen is front man lead vocalist and plays harmonica. Sylvain Sylvain plays guitar and keys and helps with the vocals. Sylvain has a very nice custom Gibson SG which he can make incredible sounds with, but most of the time he plays solid rock backing Johansen’s vocals. On the Paul Reid Smith guitars we have Earl Slick, who is covered in creepy tattoos but he plays well enough that his music overshadows the ugly tattoos. Jason Hill on bass and Brian Delaney on drums provided rhythm.


                                                                                 


"Kids Like You", Solid rock and roll tuneful guitars, the song is a bit repetitious. “I’m So Fabulous”, very much like a vintage Rolling Stones hit. Good harmonica too. “I’m Proud Of Your Work”, good funk, lingering swelling and Jazz too, all rocking along to the drums of Brian Delaney. “I’m A Fool For Your Love”, I hope I have this one right, sounds very New York Seamy Streets, much like Lou Reed and the Velvet Underground. The Dolls launched into an instrumental which sounded  like Eric Clapton with the Cream.
                                                                               
The New York Dolls when they sound like some other famous band are not imitating, the Dolls stick to their style. They are so good at what they do that when they emulate the work of other groups they do sound like the famous song or famous sound which has inspired their composition. The musicianship is not on the level of Whitesnake or Foreigner, this is a gritty little New York Punk Band who will perform again on HDNET.
                                                                              

LIVE ROCK CRITIC 23 STEVEN COLBERTS GUESTS YO YO MAH

LIVE ROCK CRITIC STEVEN COLBERT’S GUESTS

Steven Colbert is a very funny very sophisticated comedian and commenter and he can actually sing fairly well. I am surprised at the mickey mouse bands which appear on his program.

Yo Yo Mah has a wonderful lyrical quality and perfect tone but for some reason he has joined up with a hootenanny group and the result is appalling.
                                                                             
Yo Yo’s work flows and is very persist while it sounds relaxed and natural. Then a group of rather less precise country riffs from the other members of the band lose the sense of the piece and become only a display of fast fiddling. Only when Mah resumes control does the music return.

Perhaps Colbert thinks its artsy to have lame groups perform on his show.

A few nights ago a band from Mali called Tinariwen performed. Less than sophisticated music is ok, but I found Tinariwen really amateurish and the vocals were pathetic. Once again I say what could the criteria be that determines that a band should be featured by Steven Colbert. Steve?

LIVE ROCK CRITIC 22 MAROON FIVE



LIVE ROCK CRITIC 22 MAROON FIVE 

Saturday Night Live November 5th 2011


Talk about creepy dudes crawling with artless tattoos unshaven and not very buff. Like a couple of rotting vampires. Maroon Five produces shallow repetitive pop. The vocal reeks of auto tune. The musician ship is weak, weak guitar, weak bass, weak drums, weak vocal held together by a pair of keyboards. I just do not get it.

                                                                            

It gets worse, a Rapper joins Maroon Five for a second hip hop number.

The plaid slacks on the Rapper are right out of the fifties and the eighties and he has a lumpy middle. Now picture a crotch grab or access Saturday Night Live November 5th 2011.