TRAVELLING WITH MARIJUANA IS HAZARDOUS. TRAVELLING AT ALL WAS MADE HAZARDOUS FOR ME. JUST LEAVING THE HOUSE MEANT I HAD TO RISK LOSING EVERYTHING. ALL MY ART, ALL MY WRITING, ALL OF MY MUSIC AND MY MUSICAL INSTRUMENTS

BRITTNEY GRINER WAS SENTENCED TO NINE YEARS AT HARD LABOR IN RUSSIA.

THE DANGER PRESENTED TO A MUSICIAN BY HAVING TO TRAVEL WITH MARIJUANA WOULD BE EXACERBATED IF A MUSICIAN HAD BEEN DEFAMED TO THE POLICE.

I AM PRETTY SURE THAT MY EX-WIFE AND THE SOOKE RCMP TRIED TO MAKE SOME SORT OF ARREST HAPPEN TO ME. THERE WAS AN OVERT ATTEMPT TO HOLD ME IN JAIL FOR TWO MONTHS WHICH WOULD EMPOWER MY EX-WIFE TO SEIZE AND SELL MY HOUSE AND GET HALF OF THE MONEY. THERE IS ALSO A LETTER WHERE HER INTENT WAS EXPRESSED TO SEIZE AND SELL MY MUSICAL INSTRUMENTS.

BRITTNEY GRINER, IN RUSSIA, HAS BEEN DEALT A TERRIBLE BLOW, NINE YEARS IN JAIL WILL REALLY WRECK HER BASKETBALL CAREER. 

IN MY CASE, THEY NEVER MANAGED TO GET ANYTHING ON ME, SO I WAS NOT DISPOSSESSED. 

LEAVING THE HOUSE BEHIND AFTER THE 1992 RCMP, SHERIFF, BY-LAW AND BAILIFF RAID WAS PROBLEMATIC. BETTY OR TRIXIE? WAS PARKED UP A SIDE ROAD WAITING FOR ME TO LEAVE SO THE SEIZURE COULD GO AHEAD AGAIN.

FORTUNATELY THERE WERE TWO PEOPLE AT THE HOUSE WHEN THE SEIZURE WAS ATTEMPTED. IN OCTOBER OF 1992 I WAS IN LONDON UK MAKING MY TRY TO GET WORK WITH MY WRITING AND MY HARMONICA PERFORMANCE. 

AFTER THIS TIME, NOBODY WOULD EVER STAY AT OTTER POINT HOUSE ANY MORE.

I BEGAN TO BE WORRIED WHENEVER I LEFT OTTER POINT HOUSE UNATTENDED.

JUST LIKE BRITTNEY GRINER HAS BEEN SEIZED AND CANNOT GET LOOSE, IF OTTER POINT HOUSE WAS SEIZED EVEN FOR AN HOUR, I WOULD NOT EVER GET IT LOOSE FROM THE RCMP AND MY WIFE.

THE BOORS WON, POLITIC ROCKER IS DEAD WITHOUT SOMETHING TO HELP FOR A CHANGE INSTEAD OF POUNDING AT LINDON AT HIS OTTER POINT ART, WRITING AND MUSIC STUDIO.

 

Lindon Collard

The me that was in 1978, Politic Rocker was killed by the women in my Family and bureaucrats I do mourn Politic Rocker. Politic Rocker came back to life in 1992 and Trixie Dashevesky or Betty Collard? my ex got me back from England where as Politic Rocker I was to meet with Charlie Watts at the Jazz Club to do my Politic Rocker Harmonica Performance. The Sooke RCMP, Provincial Sheriffs, Capital Region By-Law and Dogcatchers and Bailiffs too I think, were at my house at Otter Point BC to seize it for my ex-wife to sell off to get ``Her`` future income. Dhe had never been lawfully entitlrf to get anything from me, it was all Divorce Threat and False Accusation Threat Extortion. Politic Rocker was killed dead and despite applying Electric Music Practice to him a ten thousand times he has not come back to life except as a brief cartoon.They achieved the permanent death of and I mourn that interesting productive me dead as Politic Rocker.

ART, WRITING AND MUSIC ARE DELICATE AND VULNERABLE PURSUITS AS ONE TRIES TO FIND A NICHE OR AN EMPLOYMENT WITHOUT ABANDONING ART, WRITING AND MUSIC.

AT THE TIME THAT IT HAPPENS YOU DO NOT KNOW THAT YOU ARE KNOCKED OUT OF ANY CHANCE TO SUCCEED WITH THE WORK YOU ARE DOING. 

I ALWAYS FORGED ON, ADAPTING AND TRYING TO GET TO THAT DESIRED CULMINATION, BEING ABLE TO DO ONLY  MY ART, WRITING AND MUSIC.

AS SOON AS I LOST MY VANCOUVER LIFE, I GUESS I REALLY NEEDED TO BE ABLE TO KEEP THE HOUSE IN DELTA. IT IS HARD TO FIND PLACES WHERE YOU CAN HAVE LIVE BANDS REHEARSE AND SONGS ARE WHAT I WRITE. AFTER I SOLD THE FACTORY, I WOULD HAVE CONTINUED TO DESIGN AND MARKET NEW STYLES OF JEWELRY BUT I WAS A VICTIM OF THE NEIGHBORHOOD REDNECK ARSONIST.

I TRIED AND I TRIED FOR ANOTHER THIRTY-FIVE YEARS, BUT THE EXTRAORDINARY DELICACY AND VULNERABILITY OF THE CRIPPLED ARTIST PREVAILED AND I ALWAYS SHATTERED WHEN ANY OPPOSITION ARISED OR MY INFRASTRUCTURE WAS DESTROYED OR THE POLICE RAIDED. 

POSTSCRIPT OFABERGE IS IN THE NEWS FOR HIS HUNDRED YEAR OLD LOST WAX CASTINGS MAKING THE GOLD EGGS. I WAS DEFINITELY HIS PROGENY LOST WAX CASTING. 

POSTSCRIPT: ON MY FACEBOOK POST.

I WAS WILLING TO MAKE JEWELRY AS WELL AS DOING THE ART WRITING AND MUSIC. I HAS A NEW EGYPTIAN ROYALTY BASED JEWELRY LINE IN WAX AND IN RUBBER MOLDS. THE REDNECKS STOLE MY TWO PERSONAL ARTIFACTS FROM THE COLLECTION, THE EGYPTIAN DEATH VULTURE CLUTCHING A I KARAT DIAMOND AND NEFERTITI'S THREE GOLD FLY NECKLACE I HAS RECREATED.

MY PERSONAL JEWELRY WAS DOWN INSIDE A COUCH THAT DID NOT BURN BUT THAT JEWELRY AND MORE COOL JEWELRY WAS GONE AND I NEVER FOUND THE EVIDENCE OF MY 360 CHEAP GOLD RINGS MELTING. NO STONES, NO STEEL CLASPS FROM THE JEWELRY BOXES,

 

MY LAWYER AND I KNOW ABOUT YOUR NECK AND YOUR BACK (ACTUALLY MY SHELL SHOCK DISABILITY) AND WE ARE GOING TO PUT SO MUCH PRESSURE ON YOU, YOUR NECK AND YOUR BACK ARE GOING TO GO.

Total Recall from age 4 to age 76 1/2 

I WOKE UP THIS MORNING LONG BEFORE THE SUN CAME UP. I HAD TO START IN RIGHT AWAY TWISTING AND STRETCHING AND TRYING TO PULL MY SPINE INTO PLACE, MY NECK OUT OF LOCKED SPASM AND MY LEGS DOWN INTO ALIGNMENT.

LAST NIGHT I LAY, DRESSED TO PLAY, IN THE POSITION WHICH INJURY AND SHELLSHOCK FORCE ME INTO. AT 10:25 PM I FINALLY MADE IT TO MY FEET AND LAUNCHED RIGHT INTO MY NIGHTLY MUSIC PRACTICE.

THE PRACTICE WOULD LAST 25 MINUTES AND THEN I HAD TO GO TO BED. I WAS EXHAUSTED. 

I PLAYED MY LES PAUL AND SANG THE SPARSE LYRICS OF "FULLBLOWN SCHIZOPHRENIC" AND I DID THE 2005 "DANCE OF THE GOLDEN BODIED WITCHES". THERE IS A VIDEO ON YOUTUBE OF THAT WHICH I CANNOT FIND, BUT I FOUND THE SEQUENCED KURZWEIL MIDI FILE AND WHAT A GUITAR EXTRAVAGANZA GOES WITH IT!

GIBSON BLACK BEAUTY GUITAR: DARLING LESLIE PAUL

TOTAL RECALL FROM AGE 4 TO AGE 76 1/2.

AMERICA DAY IN AMERICA: I CANNOT BELIEVE IT. I WILL USE "SCHMALTZ SUCKS" AGAIN FOR THE MUSICAL ACCOMPANIMENT TO THE ARTISTICALLY IMPOVERISHED FOURTH OF JULY FIREWORKS IN WASHINGTON DC USA.

 SCHMALTZ SUCKS.

THE FIREWORKS DISPLAY WAS UNIMAGINATIVE.

TO PROVE I WATCHED IT, WASHINGTON POST MARCH, HOEDOWN, MAMBO FROM WESTSIDE BY THE USAF BAND.

I WILL VIEW THE OTHER CITIES AND THE OTHER BANDS.

DRAKE SITS IN WITH THE BACK STREET BOYS JULY 2 2022. I HAVE NEVER GOTTEN TO USE THE EXACT SAME TEXT TWICE IN A ROW. I AM SO EXCITED AT THE PROSPECT!

 

SCHMALTZ SUCKS.

CANADA DAY IN CANADA

SCHMALTZ SUCKS.

GLASTONBURY 2022 WEAK WOMEN PERFORMING

BILLIE ELLISH AND WOLF ALICE ARE TOUTED AS OUTPERFORMING THE GREAT BRITISH BANDS OF THE 1960'S UNTIL NOW.

WHAT A BUNCH OF POLITICALLY WOKE BALDERDASH. THIS IS RIDICULOUS.

WEAK, WEAK, WEAK, COMPARED WITH SHAKIRA TODAY AND JANICE JOPLIN OR GRACE SLICK OR NICKY HOPKINS IN THEIR DAY.  DOZENS OF BETTER THAN BILLIE FEMALE VOCAL PERFORMERS.

I LOOKED FOR MORE THAN "OXYTOXIN" BY ELLISH AND ONLY FOUND "WOLF ALICE" WHO WAS WEAK AND AFFECTED, PRETENTIOUS, OFF KEY AND HER BAND WAS TERRIBLE, FRAPPING WEAKLY AND WITHOUT MUSICALITY JUST LIKE THE BILLIE ELLISH BAND WAS.

FLASHING LIGHTS, CROWD HYPING, STAGE FOG, FLAMES AND WALKING UP AND DOWN THE STAGE MAKE THE STUPID UNTALENTED BILLIE ELLISH PERFORMANCE A SPECTACLE. 

THAT IS NOT GOOD MUSIC OR DANCE.

BACKING TRACKS OF HER OWN VOCAL ACCIDENTALLY PLAYED AT THE WRONG TIME AND SHE PRETENDED SURPRISE AS IF THAT KIND OF STUFF WOULD JUST MELT IN MY MOUTH. POSEUR! FAKE!

BILLIE ELLISH IS UGLY, FAT, AND CAN'T DANCE. SHE DID NOT SING IN OXYTOXIN. I WILL LOOK FOR MORE LIVE ELLISH AT GLASTONBURY BUT WHAT IS THIS PROMOTIONAL HYPE. WOMEN IT APPEARS MUST BE EXALTED TO GREATNESS REGARDLESS OF THEIR FAILINGS AS PERFORMERS AND THAT IS ABSURD.

JUNETEENTH

AGAINST A BACKGROUND OF BLACK SCHMALTZ, SWAYING, SCATTING AND GOSPELATEING . I LITERALLY ALMOST CANNOT STAND  MOST OF IT.

"NEO YO" AND "EARTH WIND AND FIRE" WERE HYPED AND MAN OH MAN DID THEY SUCK OR WHAT. YOU CAN LOOK AT THEM IF YOU WANT TO ON LINE.

THE EWF FALSETTOS ARE VERY FAIRY.

WHAT I FOUND INTERESTING WAS THE INCREDIBLE BASS LINE IN LET'S GROOVE I KEPT SEARCHING FOR ANOTHER BASSIST AS I COULD SEE THE "POSEUR POSSIBLY" FRONT MAN BASSIST WAS NOT PERFORMING THAT BURPING FUNK BASS LINE. I FOUND HIM, EARTH'S BURPING FUNK BASS IN THE BACK. HEY MAN!

TALIBE TERQUALE CALLS HIMSELF TALIBE. THOUSANDS OF BLACK CULTURE ADVOCATES RESPONDED WHEN I TRASHED HIM MANY LONG YEARS AGO.

HE SUCKS LIKE "DRAKE" AND "THE WEEKEND" SUCK LIKE ANDY WILLIAMS OR PERRY COMO WHITE GUY SUCKED.

I HAVE PLAYED LIVE WITH VERY GOOD BLACK MUSICIANS, WHO ROCKED OR DID ORIGINAL OR DYNAMIC BLUES.

JOE FRIED EGG WHITE PERFORMED AS PRESIDENT OF THE UNITED STATES.

BELL BIV DEVOE WAS A BRIGHT RHYTHMIC DANCING SPOT IN THE GRAY. THEY HAD A REALLY ENERGETIC AND SPOT ON THE RHYTHM BLACK CHIC DANCING AND LOOKING FIT AND ENTHUSIASTIC AND ACTUALLY ROCKING.

ALL THE BAND MEMBERS DANCED BETTER THAN ANYONE ELSE BLACK WALTZ SCHMALTZED AND STUMBLED AND MARCHED LOOKING PURPOSFUL

THEY PERFORMED RAP RHYTHMS SO THAT EVEN I A ROCK BIGOT THOUGHT THE WERE VERY CATCHY AND VERY PERSUASIVE OF THE MOOD THEY WANTED TO CREATE.

I  SUGGEST WATCHING BELL BIV DEVOE  IN A  VIDEO NOT OUT YET OF THEIR LIVE PERFORMANCE AT THE "JUNETEENTH" .

LINDON "MR COOL" COLLARD

WHY WOULD I HAVE EARNED THAT NAME?

DESPERATE TO PRACTICE WITH WELL REHEARSED BANDS I ALWAYS HAD MY EQUIPMENT WITH ME READY TO GO AND I WOULD BE PRACTICED RIGHT UP USING CD's TO BE ABLE TO PLAY WITH ROCK, JAZZ, COUNTRY AND BLUES BANDS AND THEIR  SUBVARIANT GENRES.

IF YOU WROTE A NEW SONG OR A  NEW ALBUM I WOULD LIKELY BE ABLE TO ACCOMPANY YOU AND PERHAPS EVEN EXPAND YOUR SONG WITH FURTHER EXTEMPORIZATION AT ANY LOCATION WHERE LIVE MUSIC WAS PERFORMED WITHOUT EXCLUSION THROUGH CATEGORIZATION DISCRIMINATION. 

MUSICIANS AND COMPOSERS LIKED THAT.

I WAS DEFAMED BECAUSE I REFUSED TO CONSIDER A MUSICIAN WHO RAN A BLUES COVER BAND TO BE A GREAT ARTIST. I THINK IN RETROSPECT THAT THE LOW GRADE COVER BANDS CLOGGED THE STAGES MAKING IT VERY HARD TO KEEP ORIGINAL MUSIC BANDS, THE ONLY REAL BANDS, EMPLOYED.

NEVERTHELESS I SAT IN WITH TONY'S BANDS A FEW TIMES. I JOINED HIM IN MY USUAL WRITING SESSIONS,TO PLAY THE NEW MUSIC OF SUE MEDLEY WHERE HE WAS A SIDEMAN, PERHAPS HIS MOST REAL AND VALUABLE ROLE AS A MUSICIAN. HE SAID THAT I HAD ORIGINATED MOST OF THE "RATCHES", THE SOARING ACCURATE EXPANSION OF THE SONG INTO AN EXPLOSIVE LEAD.

RESEARCH ABOUT MENTAL ILLNESS LED TO "SCAPEGOATING", I WOULD CALL THAT "BLACKSHEEPING" OR "PAINT ME BLACKING".

MY MUSICAL 

ARTISTIC 

AND AUTHORSHIP 

WORK 

IS CONDEMNED 

AND 

FOUGHT AGAINST 

AND I 

AM PERSONALLY 

CONDEMNED AS 

INSANE 

TO BE PERSISTING 

IN 

PROGRESSING THE 

SAME WORK FOR 

FIFTY 

YEARS BECAUSE 

MY 

MOTHER INSTITUTED A 

FAMILY WIDE 

IGNORING 

OF AND 

CONDEMNING OF IT.

MY WIFE AND 

BROTHER AND 

MANY OTHERS 

COOPERATED WITH 

THAT AND

EXPERIENCED 

SATISFACTION 

AND JOY.

SOMEHOW IT 

SPREAD 

EVERYWHERE 

INCLUDING TO 

THE POLICE. 

WAS IT 

SUBLIMATION OR 

GOLD STANDARD 

DEFAMATION AND 

CRIMINALIZATION 

TAKEN DOWN TO THE POLICE 

STATION BY SOME 

ONE OR SOME 

GROUP ?

THERE WAS 

OBVIOUSLY A VERY 

UPSET WOMAN 

BLAMING HER 

HUSBAND BECAUSE 

HE WAS "SMILING" 

AND SHE WAS 

"GOING TO WIPE 

THE SMILE OFF OF" 

HIS FACE. 

POLICE, 

SHE WAS UPSET 

BECAUSE SHE 

WAS SPITEFUL, 

VENGEFUL AND

DERANGED.

Thursday, 16 June 2022

FAMILY BOORLOOMS

FAMILY SCAPEGOATING OF MYSELF AS A CHILD MOST DEFINITELY DID OCCUR AT THE HANDS OF MY INSANE MOTHER.

I WAS ALWAYS "GOING TO DO SOMETHING BAD" ACCORDING TO MY MOTHER'S FEARFUL CONFISCATORY PREDICTION WHICH NEVER WAS TRUE.

WHEN I WAS TO RECEIVE A LOT OF MONEY FROM MY PROTECTIVE  GRANDFATHER'S TRUST TO ME MY AUTHORITARIAN MOTHER SEIZED IT. MOTHER WAS "SO WORRIED ABOUT WHAT I WOULD DO IF I GOT THE MONEY" THAT SHE ALSO HID MY INHERITANCE FROM MY UNCLE ALBERT FROM ME." MY BROTHER ANDREW AGREED WITH HER AND SO DID MY DUMB DUMB WIFE.

ONE OF THE TECHNIQUES PRACTICED AGAINST SCAPEGOATS OR BLACK SHEEP IS TO DENIGRATE AND IGNORE THE WORTH OF THE TARGETED INDIVIDUAL. 

MY WORK IS JUDGED TO BE WORTHLESS BY MY FAMILY AND MY WIFE AND ICBC LAWYERS CLAIMED I WAS WORTHLESS.

A GREAT EXAMPLE OF THIS DISQUALIFICATION OF MYSELF AS A CREATIVE ARTIST, ARTISAN, WRITER, MUSICIAN AND BUSINESSMAN WAS IN THE WAY BETTY OR TRIXIE MY EX-WIFE REFERRED TO ALL OF MY ART, MUSIC AND BUSINESS CONTACTS

"CUT HIM OFF FROM HIS FRIENDS" SHE SAID, "LINDON NEEDS PEOPLE" SHE IS GASLIGHTING MY ONE HUNDRED FIFTY ACQUAINTANCES AND FRIENDS AND COLLEAGUES AS IF THAT WAS A WEAK OR MENTALLY DEFICIENT DEPENDENCY.

I FIXED MY BIG MUFF AND LESLIE IS BACK IN SERVICE. THIS WAS MY FIRST YOUTUBE POSTING USING THIS GUITAR:

THE LES PAUL GUITAR I AM PLAYING IS USED IN MANY OF MY SONGS LATELY.

I AM DEPENDENT ON MY BIG MUFF, NEED IT TO PERFORM MOST OF THE SONGS I AM CURRENTLY PRACTICING WITH LESLIE THE BLACK BEAUTY LES PAUL.

MY MUFF WAS BROKEN FOR TEN DAYS.   

I hooked up a 9 V from 120 V adapter and that made the Big Muff howl. 

I found a replacement 9 V battery connector IN A FIFTY YEAR OLD RADIO ALARM CLOCK and I scavenged it. ( The clock still works) I hooked up the wires inside the Muff to the connector and I had Leslie back. The Guitar has inspired  Darling. Darling is a Black Girl who is the subject of a dozen songs. Darling Space Girl, Darling in 4X Double Vision, and Darling from the Ghetto.

I DID "BAD DREAMS" TWICE AND "SPACE 06" WHERE DARLING JOINS ME AT THE EDGE OF THE GALAXY FOREVER.

I AM SO RELIEVED. I ACTUALLY CANNOT MAKE TO MY CAR, SHELL SHOCK WILL CAUSE TONIC IMMOBILITY, SO I HAD TO FIND A SCAVENGE AROUND THE HOUSE.

There is a you tube post called "Dance of the Golden Bodied Witches" which is a Leslie Paul Black Beauty Extravaganza.

The video is filmed reflected entirely in the Black Window Glass with the Golden Bodied Witches reflected and I am reflected playing with Leslie.

I cannot find "Dance of the Golden Bodied Witches'', not even where you would expect the video to be with "Witches Chorale".

Postscript  June 16 2022:

I DID HAVE A ONE HOUR MUSIC PRACTICE LAST NIGHT. THAT IS RUNNING TIME. I DID WARM UP GUITAR AND KEYBOARD TUNES AND SPACEY INTRO'S. I PERFORMED SEVEN SONGS EXACTLY AS WRITTEN WITH KEYBOARD, GUITAR, HARMONICA AND VOCALS ACCOMPANIED BY SEQUENCED TWIN KURZWEILS. IT IS EXHAUSTING TO PLAY AND SING FORCEFULLY AS ROCK MUSIC REQUIRES AND I WAS EXPERIENCING VIRTUAL PARALYSIS COMING ON AT THE END. I FELT WEAKNESS, MY NECK KINKED MY KNEES WOBBLED AND THERE WAS AN ALARMING LOW BACK RAW FEELING. I SLUNGED ABOUT AND KEPT ON MOVING WITHOUT STABILIZING WHEN I  MOVED AND TURNED.  IN THE MIDDLE, I HAD, TO SIT FOR A 22 MINUTE BREAK.

HEARD ABOUT ME

THIS IS A RECORDING FROM THE END OF MY "OUT AND ABOUT"  PERIOD WHERE I SONY "HX PRO" TAPED ANY ORIGINAL LYRICS AND MUSIC THAT I HAD CONCEIVED. I SEQUENCED MY KURZWEIL K2000 V 1 TO PLAY THE ORIGINAL SYNTHESIZED SCORE AND I RECORDED THAT LIVE,WITH MY LIVE AMPLIFIED VOCAL AND HARMONICA PERFORMANCE WITH NO CUTS.

HAVE YOU HEARD ME, PERFORMING LIVE WITH A WELL REHEARSED BAND? 

DID YOU HEAR ME PERFORM WITH MY FORTY FOUR HARMONICA, 14 SCALES X 3 TYPES OF TUNING, EACH FOR A SPECIFIC  PURPOSE, FULL SET OF  HARMONICAS?

THE EXTRA TWO HARMONICAS WERE AN F UNDER A  AND AN A OVER F. THERE WERE ALSO A FEW ODD HARMONICAS, TINY SHARP ONES AND CUMBERSOME CHROMATICS.  

THERE WERE POLICE OFFICERS IN VANCOUVER BC WHO HAD HEARD ME AND SEEN ME WHO "KNEW WHAT WE WERE TRYING TO DO" BY PERFORMING AND DID NOT THINK I WAS CRAZY.

THE SOOKE RCMP HAD NOT HEARD ME PERFORM THEY HAD HEARD MY WIFE'S EXPERT TESTIMONY THAT I WAS CRAZY, I THOUGHT I WAS GOING TO BE A ROCK STAR SHE SAID. THAT WAS ALL THE RCMP POLICE IN SOOKE BC HAD TO HAVE HEARD.

What is the Heard connotation? That is that what I was doing, particularly at the end of my "out and about period", was going around sitting in with any band I could sit in with anywhere, usually in Vancouver, but in London England once upon a time, which is what Johnny Depp did. I was not famous but I could fit in with any kind of band and play anything they wished to play.

The other relevant parallels between my musical adventures and Johnny Depp's is that he had some sort of music scene happening like my SPACE JAM which ran for many years. John Depp II  went around writing lyrics and probably tunes as well like I did. Depp was able to cruise around Los Angeles and New York and London and I was unlawfully confined here at Otter Point House with Moron Police collaborating with my Moron Ex-Wife like a bunch of bullies that have stolen a kid's hat or shoes and fling them away depriving the person of their prized possession, in my case my possession was my way out of the Basement Workshop.

I TRIED REALLY HARD AND PRACTICED ANY TIME I COULD WITH A LIVE BAND OR ALL ALONE WITH CD'S. TO BE DEFAMED, OVERRULED, SIDELINED, TERRORIZED AND PARALYZED BY MY WIFE, MY FAMILY, THE POLICE, AND EVEN THE DOGCATCHERS ON VANCOUVER ISLAND NOT IN VANCOUVER IS TERRIBLE.

DESPERATE TO GET TO PLAY I COMPOSED MY OWN TUNES, I SEQUENCED MY KEYBOARD COMPOSITIONS AND I TAPED AND VIDEOTAPED AND PRACTICED.

JOURNALISTS APPEAR ON TELEVISION MORE OFTEN THAN MUSICIANS

SELF CONGRATULATION AT THE BILLBOARD 

AWARDS WITH THE FAT BLACK CATS 

STROKING THEMSELVES LAVISHLY. 

( THIS WAS A POST ON LIVE ROCK CRITIC.)

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Canadian Journalists ...

BLANCO ACADEMIA, APEING THE OLD WHITE BOY'S 

NETWORK THEY LOVE-HATE , MEET AS FELLOWS 

AND GRAND FELLOWS AT OUR ALSO HUGELY 

EXPENSIVE UNIVERSITIES TO SELF CONGRATULATE.

YOU MET IN CONVOCATION,

WHAT WAS THE REVELATION?

'TWAS JUST MORE CONGRATULATION,

PROMOTING YOUR CONGRATULATION.

DID YOU THINK UP 

SOMETHING NEW?

DID YOU DRINK UP

THE INTELLECTUAL BREW?

WAS THIS THE POINTLESS ANEW?

SIMPLY AN EXERCISE, OTHERWISE,

JUST SOMETHING TO DO?

THE PREPONDERANCE OF THE METADATA

 

CAPRICIOUS JUSTICE

THE CORRUPT ADMINISTRATION OF LAW AND DEFAMATION MOTIVATES CRIME AGAINST THE TARGETTED VICTIM. PEOPLE KNOW THEY CAN COMMITOFFENCES AGAINST A MAN WHO IS DEFAMED WITHOUT CONSEQUENCES. BUSINESS AND ARTISTIC ENDEAVORS ARE HAMPERED. 

Saturday, May 21, 2022

THE PREPONDERANCE OF THE METADATA

THE POSTING OF WRITING, VIDEO, 

AND MUSICAL PERFORMANCE 

COUPLED WITH THE CREATION 

AND RETENTION OF TAPES AND 

VIDEO OF COMPOSITIONS CREATES 

A BODY OF LEGAL EVIDENCE WHERE ONLY THE METADATA IS PERTINENT 

AND SIGNIFICANT EVIDENCE.

IT DOES NOT MATTER IF YOU LIKE 

OR DO NOT LIKE MY WORK OR IF 

YOU ARE CERTAIN THAT I WOULD 

NOT SUCCEED.

ANY EVALUATION WHICH WOULD 

BE BROUGHT FORWARD TO 

ATTEMPT TO DENY THAT I 

WOULD SUCCEED WOULD 

BE LEGALLY WORTHLESS 

SPECULATION.

WHAT MATTERS IS THAT THE 

METADATA AND THE RECORD 

OF THE WORK THAT WAS DONE 

AND THE PERFORMANCES  

I EXHIBITED IN A RATIONAL 

PROJECT TO ACHIEVE 

POPULARITY EXISTS.

I WAS WATCHING A HISTORICAL 

FILM ABOUT MUSICIANS. 

THE VERY INTERESTING 

INFORMATION FOR MYSELF, 

WAS THAT THE VALUE OF 

MUSICIANS WAS BASED 

ON THEIR PERFORMANCE 

SKILLS AND HOW MANY 

SONGS THE HAD IN 

THEIR SONG BOOKS.

I HAVE ALWAYS HAD MORE 

SONGS WRITTEN THAN ANY 

MUSICIAN I EVER 

ENCOUNTERED AND 

I STILL DO.

I HAD THE INTENT TO SUCCEED. 

I AM SURE THAT I WAS ON THE 

RIGHT TRACK TO BE SUCCESSFUL. 

I BELIEVE THAT THE STEALING 

OF MY INHERITANCES, THE 

ARSON AND THEFT OF 

EVERYTHING I HAD OR 

WAS AND THE DEFAMING 

OF MYSELF WITHOUT ANY 

RATIONAL REASON 

PREVENTED ANY SUCCESS.

Thursday, May 19, 2022    CLICK ON THE BANNER TO LEARN MORE ABOUT:

THIS IS A PRODUCT OF POLICE POWER SOCIOPATHS. SO WAS THE DESTRUCTION OF MYSELF AS AN ARTIST WRITER AND MUSICIAN.