GLASTONBURY 2022 WEAK WOMEN PERFORMING

BILLIE ELLISH AND WOLF ALICE ARE TOUTED AS OUTPERFORMING THE GREAT BRITISH BANDS OF THE 1960'S UNTIL NOW.

WHAT A BUNCH OF POLITICALLY WOKE BALDERDASH. THIS IS RIDICULOUS.

WEAK, WEAK, WEAK, COMPARED WITH SHAKIRA TODAY AND JANICE JOPLIN OR GRACE SLICK OR NICKY HOPKINS IN THEIR DAY.  DOZENS OF BETTER THAN BILLIE FEMALE VOCAL PERFORMERS.

I LOOKED FOR MORE THAN "OXYTOXIN" BY ELLISH AND ONLY FOUND "WOLF ALICE" WHO WAS WEAK AND AFFECTED, PRETENTIOUS, OFF KEY AND HER BAND WAS TERRIBLE, FRAPPING WEAKLY AND WITHOUT MUSICALITY JUST LIKE THE BILLIE ELLISH BAND WAS.

FLASHING LIGHTS, CROWD HYPING, STAGE FOG, FLAMES AND WALKING UP AND DOWN THE STAGE MAKE THE STUPID UNTALENTED BILLIE ELLISH PERFORMANCE A SPECTACLE. 

THAT IS NOT GOOD MUSIC OR DANCE.

BACKING TRACKS OF HER OWN VOCAL ACCIDENTALLY PLAYED AT THE WRONG TIME AND SHE PRETENDED SURPRISE AS IF THAT KIND OF STUFF WOULD JUST MELT IN MY MOUTH. POSEUR! FAKE!

BILLIE ELLISH IS UGLY, FAT, AND CAN'T DANCE. SHE DID NOT SING IN OXYTOXIN. I WILL LOOK FOR MORE LIVE ELLISH AT GLASTONBURY BUT WHAT IS THIS PROMOTIONAL HYPE. WOMEN IT APPEARS MUST BE EXALTED TO GREATNESS REGARDLESS OF THEIR FAILINGS AS PERFORMERS AND THAT IS ABSURD.

JUNETEENTH

AGAINST A BACKGROUND OF BLACK SCHMALTZ, SWAYING, SCATTING AND GOSPELATEING . I LITERALLY ALMOST CANNOT STAND  MOST OF IT.

"NEO YO" AND "EARTH WIND AND FIRE" WERE HYPED AND MAN OH MAN DID THEY SUCK OR WHAT. YOU CAN LOOK AT THEM IF YOU WANT TO ON LINE.

THE EWF FALSETTOS ARE VERY FAIRY.

WHAT I FOUND INTERESTING WAS THE INCREDIBLE BASS LINE IN LET'S GROOVE I KEPT SEARCHING FOR ANOTHER BASSIST AS I COULD SEE THE "POSEUR POSSIBLY" FRONT MAN BASSIST WAS NOT PERFORMING THAT BURPING FUNK BASS LINE. I FOUND HIM, EARTH'S BURPING FUNK BASS IN THE BACK. HEY MAN!

TALIBE TERQUALE CALLS HIMSELF TALIBE. THOUSANDS OF BLACK CULTURE ADVOCATES RESPONDED WHEN I TRASHED HIM MANY LONG YEARS AGO.

HE SUCKS LIKE "DRAKE" AND "THE WEEKEND" SUCK LIKE ANDY WILLIAMS OR PERRY COMO WHITE GUY SUCKED.

I HAVE PLAYED LIVE WITH VERY GOOD BLACK MUSICIANS, WHO ROCKED OR DID ORIGINAL OR DYNAMIC BLUES.

JOE FRIED EGG WHITE PERFORMED AS PRESIDENT OF THE UNITED STATES.

BELL BIV DEVOE WAS A BRIGHT RHYTHMIC DANCING SPOT IN THE GRAY. THEY HAD A REALLY ENERGETIC AND SPOT ON THE RHYTHM BLACK CHIC DANCING AND LOOKING FIT AND ENTHUSIASTIC AND ACTUALLY ROCKING.

ALL THE BAND MEMBERS DANCED BETTER THAN ANYONE ELSE BLACK WALTZ SCHMALTZED AND STUMBLED AND MARCHED LOOKING PURPOSFUL

THEY PERFORMED RAP RHYTHMS SO THAT EVEN I A ROCK BIGOT THOUGHT THE WERE VERY CATCHY AND VERY PERSUASIVE OF THE MOOD THEY WANTED TO CREATE.

I  SUGGEST WATCHING BELL BIV DEVOE  IN A  VIDEO NOT OUT YET OF THEIR LIVE PERFORMANCE AT THE "JUNETEENTH" .

LINDON "MR COOL" COLLARD

WHY WOULD I HAVE EARNED THAT NAME?

DESPERATE TO PRACTICE WITH WELL REHEARSED BANDS I ALWAYS HAD MY EQUIPMENT WITH ME READY TO GO AND I WOULD BE PRACTICED RIGHT UP USING CD's TO BE ABLE TO PLAY WITH ROCK, JAZZ, COUNTRY AND BLUES BANDS AND THEIR  SUBVARIANT GENRES.

IF YOU WROTE A NEW SONG OR A  NEW ALBUM I WOULD LIKELY BE ABLE TO ACCOMPANY YOU AND PERHAPS EVEN EXPAND YOUR SONG WITH FURTHER EXTEMPORIZATION AT ANY LOCATION WHERE LIVE MUSIC WAS PERFORMED WITHOUT EXCLUSION THROUGH CATEGORIZATION DISCRIMINATION. 

MUSICIANS AND COMPOSERS LIKED THAT.

I WAS DEFAMED BECAUSE I REFUSED TO CONSIDER A MUSICIAN WHO RAN A BLUES COVER BAND TO BE A GREAT ARTIST. I THINK IN RETROSPECT THAT THE LOW GRADE COVER BANDS CLOGGED THE STAGES MAKING IT VERY HARD TO KEEP ORIGINAL MUSIC BANDS, THE ONLY REAL BANDS, EMPLOYED.

NEVERTHELESS I SAT IN WITH TONY'S BANDS A FEW TIMES. I JOINED HIM IN MY USUAL WRITING SESSIONS,TO PLAY THE NEW MUSIC OF SUE MEDLEY WHERE HE WAS A SIDEMAN, PERHAPS HIS MOST REAL AND VALUABLE ROLE AS A MUSICIAN. HE SAID THAT I HAD ORIGINATED MOST OF THE "RATCHES", THE SOARING ACCURATE EXPANSION OF THE SONG INTO AN EXPLOSIVE LEAD.

RESEARCH ABOUT MENTAL ILLNESS LED TO "SCAPEGOATING", I WOULD CALL THAT "BLACKSHEEPING" OR "PAINT ME BLACKING".

MY MUSICAL 

ARTISTIC 

AND AUTHORSHIP 

WORK 

IS CONDEMNED 

AND 

FOUGHT AGAINST 

AND I 

AM PERSONALLY 

CONDEMNED AS 

INSANE 

TO BE PERSISTING 

IN 

PROGRESSING THE 

SAME WORK FOR 

FIFTY 

YEARS BECAUSE 

MY 

MOTHER INSTITUTED A 

FAMILY WIDE 

IGNORING 

OF AND 

CONDEMNING OF IT.

MY WIFE AND 

BROTHER AND 

MANY OTHERS 

COOPERATED WITH 

THAT AND

EXPERIENCED 

SATISFACTION 

AND JOY.

SOMEHOW IT 

SPREAD 

EVERYWHERE 

INCLUDING TO 

THE POLICE. 

WAS IT 

SUBLIMATION OR 

GOLD STANDARD 

DEFAMATION AND 

CRIMINALIZATION 

TAKEN DOWN TO THE POLICE 

STATION BY SOME 

ONE OR SOME 

GROUP ?

THERE WAS 

OBVIOUSLY A VERY 

UPSET WOMAN 

BLAMING HER 

HUSBAND BECAUSE 

HE WAS "SMILING" 

AND SHE WAS 

"GOING TO WIPE 

THE SMILE OFF OF" 

HIS FACE. 

POLICE, 

SHE WAS UPSET 

BECAUSE SHE 

WAS SPITEFUL, 

VENGEFUL AND

DERANGED.

Thursday, 16 June 2022

FAMILY BOORLOOMS

FAMILY SCAPEGOATING OF MYSELF AS A CHILD MOST DEFINITELY DID OCCUR AT THE HANDS OF MY INSANE MOTHER.

I WAS ALWAYS "GOING TO DO SOMETHING BAD" ACCORDING TO MY MOTHER'S FEARFUL CONFISCATORY PREDICTION WHICH NEVER WAS TRUE.

WHEN I WAS TO RECEIVE A LOT OF MONEY FROM MY PROTECTIVE  GRANDFATHER'S TRUST TO ME MY AUTHORITARIAN MOTHER SEIZED IT. MOTHER WAS "SO WORRIED ABOUT WHAT I WOULD DO IF I GOT THE MONEY" THAT SHE ALSO HID MY INHERITANCE FROM MY UNCLE ALBERT FROM ME." MY BROTHER ANDREW AGREED WITH HER AND SO DID MY DUMB DUMB WIFE.

ONE OF THE TECHNIQUES PRACTICED AGAINST SCAPEGOATS OR BLACK SHEEP IS TO DENIGRATE AND IGNORE THE WORTH OF THE TARGETED INDIVIDUAL. 

MY WORK IS JUDGED TO BE WORTHLESS BY MY FAMILY AND MY WIFE AND ICBC LAWYERS CLAIMED I WAS WORTHLESS.

A GREAT EXAMPLE OF THIS DISQUALIFICATION OF MYSELF AS A CREATIVE ARTIST, ARTISAN, WRITER, MUSICIAN AND BUSINESSMAN WAS IN THE WAY BETTY OR TRIXIE MY EX-WIFE REFERRED TO ALL OF MY ART, MUSIC AND BUSINESS CONTACTS

"CUT HIM OFF FROM HIS FRIENDS" SHE SAID, "LINDON NEEDS PEOPLE" SHE IS GASLIGHTING MY ONE HUNDRED FIFTY ACQUAINTANCES AND FRIENDS AND COLLEAGUES AS IF THAT WAS A WEAK OR MENTALLY DEFICIENT DEPENDENCY.

I FIXED MY BIG MUFF AND LESLIE IS BACK IN SERVICE. THIS WAS MY FIRST YOUTUBE POSTING USING THIS GUITAR:

THE LES PAUL GUITAR I AM PLAYING IS USED IN MANY OF MY SONGS LATELY.

I AM DEPENDENT ON MY BIG MUFF, NEED IT TO PERFORM MOST OF THE SONGS I AM CURRENTLY PRACTICING WITH LESLIE THE BLACK BEAUTY LES PAUL.

MY MUFF WAS BROKEN FOR TEN DAYS.   

I hooked up a 9 V from 120 V adapter and that made the Big Muff howl. 

I found a replacement 9 V battery connector IN A FIFTY YEAR OLD RADIO ALARM CLOCK and I scavenged it. ( The clock still works) I hooked up the wires inside the Muff to the connector and I had Leslie back. The Guitar has inspired  Darling. Darling is a Black Girl who is the subject of a dozen songs. Darling Space Girl, Darling in 4X Double Vision, and Darling from the Ghetto.

I DID "BAD DREAMS" TWICE AND "SPACE 06" WHERE DARLING JOINS ME AT THE EDGE OF THE GALAXY FOREVER.

I AM SO RELIEVED. I ACTUALLY CANNOT MAKE TO MY CAR, SHELL SHOCK WILL CAUSE TONIC IMMOBILITY, SO I HAD TO FIND A SCAVENGE AROUND THE HOUSE.

There is a you tube post called "Dance of the Golden Bodied Witches" which is a Leslie Paul Black Beauty Extravaganza.

The video is filmed reflected entirely in the Black Window Glass with the Golden Bodied Witches reflected and I am reflected playing with Leslie.

I cannot find "Dance of the Golden Bodied Witches'', not even where you would expect the video to be with "Witches Chorale".

Postscript  June 16 2022:

I DID HAVE A ONE HOUR MUSIC PRACTICE LAST NIGHT. THAT IS RUNNING TIME. I DID WARM UP GUITAR AND KEYBOARD TUNES AND SPACEY INTRO'S. I PERFORMED SEVEN SONGS EXACTLY AS WRITTEN WITH KEYBOARD, GUITAR, HARMONICA AND VOCALS ACCOMPANIED BY SEQUENCED TWIN KURZWEILS. IT IS EXHAUSTING TO PLAY AND SING FORCEFULLY AS ROCK MUSIC REQUIRES AND I WAS EXPERIENCING VIRTUAL PARALYSIS COMING ON AT THE END. I FELT WEAKNESS, MY NECK KINKED MY KNEES WOBBLED AND THERE WAS AN ALARMING LOW BACK RAW FEELING. I SLUNGED ABOUT AND KEPT ON MOVING WITHOUT STABILIZING WHEN I  MOVED AND TURNED.  IN THE MIDDLE, I HAD, TO SIT FOR A 22 MINUTE BREAK.

HEARD ABOUT ME

THIS IS A RECORDING FROM THE END OF MY "OUT AND ABOUT"  PERIOD WHERE I SONY "HX PRO" TAPED ANY ORIGINAL LYRICS AND MUSIC THAT I HAD CONCEIVED. I SEQUENCED MY KURZWEIL K2000 V 1 TO PLAY THE ORIGINAL SYNTHESIZED SCORE AND I RECORDED THAT LIVE,WITH MY LIVE AMPLIFIED VOCAL AND HARMONICA PERFORMANCE WITH NO CUTS.

HAVE YOU HEARD ME, PERFORMING LIVE WITH A WELL REHEARSED BAND? 

DID YOU HEAR ME PERFORM WITH MY FORTY FOUR HARMONICA, 14 SCALES X 3 TYPES OF TUNING, EACH FOR A SPECIFIC  PURPOSE, FULL SET OF  HARMONICAS?

THE EXTRA TWO HARMONICAS WERE AN F UNDER A  AND AN A OVER F. THERE WERE ALSO A FEW ODD HARMONICAS, TINY SHARP ONES AND CUMBERSOME CHROMATICS.  

THERE WERE POLICE OFFICERS IN VANCOUVER BC WHO HAD HEARD ME AND SEEN ME WHO "KNEW WHAT WE WERE TRYING TO DO" BY PERFORMING AND DID NOT THINK I WAS CRAZY.

THE SOOKE RCMP HAD NOT HEARD ME PERFORM THEY HAD HEARD MY WIFE'S EXPERT TESTIMONY THAT I WAS CRAZY, I THOUGHT I WAS GOING TO BE A ROCK STAR SHE SAID. THAT WAS ALL THE RCMP POLICE IN SOOKE BC HAD TO HAVE HEARD.

What is the Heard connotation? That is that what I was doing, particularly at the end of my "out and about period", was going around sitting in with any band I could sit in with anywhere, usually in Vancouver, but in London England once upon a time, which is what Johnny Depp did. I was not famous but I could fit in with any kind of band and play anything they wished to play.

The other relevant parallels between my musical adventures and Johnny Depp's is that he had some sort of music scene happening like my SPACE JAM which ran for many years. John Depp II  went around writing lyrics and probably tunes as well like I did. Depp was able to cruise around Los Angeles and New York and London and I was unlawfully confined here at Otter Point House with Moron Police collaborating with my Moron Ex-Wife like a bunch of bullies that have stolen a kid's hat or shoes and fling them away depriving the person of their prized possession, in my case my possession was my way out of the Basement Workshop.

I TRIED REALLY HARD AND PRACTICED ANY TIME I COULD WITH A LIVE BAND OR ALL ALONE WITH CD'S. TO BE DEFAMED, OVERRULED, SIDELINED, TERRORIZED AND PARALYZED BY MY WIFE, MY FAMILY, THE POLICE, AND EVEN THE DOGCATCHERS ON VANCOUVER ISLAND NOT IN VANCOUVER IS TERRIBLE.

DESPERATE TO GET TO PLAY I COMPOSED MY OWN TUNES, I SEQUENCED MY KEYBOARD COMPOSITIONS AND I TAPED AND VIDEOTAPED AND PRACTICED.