THERE SHOULD BE A SUPPORT AND SUSTENANCE SYSTEM FOR ARTISTS, WRITERS AND MUSICIANS WHO HAVE TO WORK FOR MANY YEARS WITHOUT EARNING ANY MONEY FROM THAT WORK

I AM WATCHING THE DESTRUCTIVE ELEMENTS IN THE UNITED STATES OF AMERICA IN THE REPUBLICAN PARTY. THEY ARE REFERRED TO AS "WANTING TO BURN DOWN THE HOUSE".

 

THAT HAS BEEN A BIG PROBLEM FOR LINDON COLLARD. HE HAD A HOUSE TAKEN FROM HIM,

AND HE HAD THE HOUSE HE FINISHED HIMSELF ACTUALLY BURNT ALONG WITH EVERYTHING HE OWNED 

AND RIGHT AFTER THAT LINDON'S WIFE BETTY WORKED ONE DIVORCE THREAT EXTORTION AFTER ANOTHER, LINDON AND BETTY OR TRIXIE  WERE MARRIED FOR EIGHTEEN MONTHS WHEN THE WIFE STARTED. SHE ACTUALLY REPEATEDLY  THREATENED "I DO NOT CARE IF WE END UP ON THE STREET" WHICH MEANT NO HOUSE FOR YOU, LINDON.

This third permanent home was borrowed on by Lindon's wife until it was actually financially gone and had to be paid for again with inherited money.  The money had to be paid to the Collard Family Women's Criminal gang despite the fact that Lindon had never received a red cent of the borrowed money. His wife got all of it and wasted it on her ill conceived business ventures. She also bought herself a house (or two) and got extortion money and welfare as well. 

IT ALSO WOULD HAVE MEANT NO HOUSE FOR LINDON'S CHILDREN EITHER. THAT ANGUISHED WORRIED HIM SEVERELY.

LINDON'S WIFE BETTY ACTED IN A DIAMETRICALLY OPPOSITE DIRECTION TO THAT THAT WHICH LINDON HAD PLANNED TO ADHERE TO BY HAVING ALL HIS MONEY SPENT ON HER BUSINESS AND DRIVING 2 CARS ON AN HOUR LONG COMMUTE SIX DAYS PER WEEK WITH THE KIDS IN DAYCARE (MORE EXPENSE) AND THEN ACTUAL DIVORCE BY COP AND SHE STEADFASTLY DECLARED SHE DID NOT CARE, SHE WANTED LINDON TO BE HOMELESS OR IN JAIL AFTER HE HAD PUT THREE PERMANENT HOMES TOGETHER TO HOUSE THE FAMILY HE HAD AGREED TO FEED CLOTHE AND SHELTER. LINDON NEVER AGREED TO DO ANYTHING ELSE.

FROM THE BULLRUSH FROG "WASTE NOT WASTE NOT" POINT OF VIEW, WHAT A TERRIBLE WASTE OF RESOURCES AND WHAT TERRIBLE ENVIRONMENTAL DAMAGE AND WHAT A WASTE OF POOR LINDON'S TALENTS AND EFFORTS AND MONEY WHICH MEANS LINDON NEVER FINISHED ANY OF HIS PROJECTS, MAKING EVERYTHING A WASTE OF HIS TALENT AND HIS EFFORT AND HIS MONEY.

LINDON FINALLY GOT RID OF BETTY OR TRIXIE'S POWER OVER HIM BY PAYING AGAIN, HE WAS UNDERWATER IN DEBT ON HIS PROPERTY TO THE COLLARD FAMILY WOMEN'S CRIMINAL GANG AND DRAINED DRY EACH MONTH OF ALL EARNINGS BY HIS WIFE'S EXTORTION.

STILL, WHEN LINDON GOT TO ACHIEVE SOME RECOGNITION IN ENGLAND IN 1992 BETTY OR TRIXIE HAD POLICE AND BYLAW AND SHERIFFS TO TRY YET AGAIN TO SEIZR LINDON'S HOUSE AND MAKE HIM HOMELESS WHEN HE WAS ALREADY DESTITUTE AND HAD THE AUTHORITIES AFTER HIM, CAUSED BY HIS WIFE'S LIES.

THE MANY COLORS AND TONES OF JEALOUSY

"DID YOU EVER THINK THAT IT WAS YOU, NOT A BUNCH OF BAD WOMEN THAT YOU KNEW?" I CAN NOT FIND THE COMMENT. I HAVE ATTEMPTED TO BE ACCURATE.

I THINK THAT THERE IS ONE AND THE SAME PROBLEM IN THE RELATIONSHIP BETWEEN MYSELF AND THEM.

IT IS A MATTER OF MY MANY COLORS AND TONES. I AS I DRESSED TO PLAY HARMONICA WAS NOT AWARE THAT THIS MANY COLORED SILK AND VELOUR COSTUMING WOULD OFFEND JEALOUS PEOPLE. 

THE MANY TONES OF MUSICAL PERFORMING MAY ALSO HAVE BEEN A CATALYST IN THE GENERATION OF JEALOUS HATRED. 

I CANNOT SEE ANY PATH THAT A WRITER OR A MUSICIAN COULD FOLLOW WHICH WOULD NOT REQUIRE STABLE, ADEQUATE AND PERMANENT FINANCIAL SUPPORT

IT WOULD BE HIGHLY UNLIKELY THAT A WRITER OR A MUSICIAN WOULD RECEIVE  A SALARY IMMEDIATELY UNLESS THEY WORKED FOR A NEWSPAPER OR THEY PLAYED IN A  BAR BAND AND EVEN THOSE LOW PAYING JOBS REQUIRED EDUCATION.

I BELIEVED WHAT I WAS TOLD ABOUT THE REQUIREMENT OF A DAY JOB TO SUPPORT MYSELF WHILE I DEVELOPED MY ABILITY TO WRITE AND LATER TO COMPOSE ORIGINAL MUSIC AND PERFORM IT LIVE.

THERE WERE AN UNBELIEVABLE NUMBER OF INSTANCES WHERE MY PLANS WERE DERAILED. IT IS POSSIBLE THAT MY BEST CHANCE TO BECOME A WRITER AND WHICH WOULD HAVE DEFINITELY ENTERED ME INTO THE MUSIC INDUSTRY WAS IN 1964 WHEN I WAS GOING TO USE MY TRUST FUND TO BUY A LITTLE HOTEL WHICH HAD A DANCE HALL WITHIN IT.

IT WAS LONG AGO THAT I HAD MY LAST CHANCE TO WORK AT MY ART WRITING AND MUSIC. IN 1992 I WAS IN LONDON ENGLAND WHERE I MADE A FAVORABLE IMPRESSION AND I JUST COULD NOT LEAVE TO GO BACK THERE TO ADVANCE MY MUSICAL CAREER MY PAID OFF EX-WIFE WOULD NOT STOP POLICING ME.

I HAD ABOUT $2 MILLION OF INHERITED MONEY STOLEN FROM ME BY MY SIBLING FAMILY AND MY WIFE. THAT WOULD HAVE SUPPORTED ME TO DO MY MUSICAL PROJECTS VERY NICELY.

THERE WAS THIS HAMPERING AND HARASSMENT AS WELL. 

I WAS CRUSHED. 

LINDON COLLARD TOTAL RECALL

FROM "LINDON COLLARD TOTAL RECALL"

 

PERIODICALLY I REALIZE HOW ABSURD THE CONTROLLING FREAKS ARE.

MY MUSICAL ENTERPRISE HAD  

LITTLE TO DO WITH ANYONE 

ON VANCOUVER ISLAND AS 

IT HAPPENED IN MY STUDIOS 

HERE OR IN VANCOUVER. 

ONCE I GOT FARTHER AFIELD, 

BUT I WAS A CITY OF VANCOUVER 

MUSICIAN. 

WHY WOULD THE COLLARD FAMILY 

WOMEN BE INVOLVED WITH THAT 

AT ALL? 

THEY WANTED TO STAMP IT OUT.

THE POLICE HERE AT OTTER POINT, 

THE SOOKE RCMP, WERE VERY 

INTERESTED IN DISCREDITING 

ME AND IN ( FROM FOI ) INTERFERING 

WITH MY MUSIC CAREER. WHY? 

THE VANCOUVER POLICE, IN THE 

CITY WHERE I SOUGHT MY CAREER 

DID NOT INTERFERE WITH ME EXCEPT 

FOR FRITZ VERHOOVEN'S POLICE 

FRIEND FROM THE DOG SQUAD. ( I FORGOT. )

WHY WOULD POLICE BE INVOLVED 

WITH NOT A PARTYING BUT AN 

ORIGINAL COMPOSING AND 

LYRICIZING MUSICIAN?

FROM "LINDON COLLARD TOTAL RECALL"

 

PERIODICALLY I REALIZE HOW ABSURD THE CONTROLLING FREAKS ARE.

MY MUSICAL ENTERPRISE HAD  

LITTLE TO DO WITH ANYONE 

ON VANCOUVER ISLAND AS 

IT HAPPENED IN MY STUDIOS 

HERE OR IN VANCOUVER. 

ONCE I GOT FARTHER AFIELD, 

BUT I WAS A CITY OF VANCOUVER 

MUSICIAN. 

WHY WOULD THE COLLARD FAMILY 

WOMEN BE INVOLVED WITH THAT 

AT ALL? 

THEY WANTED TO STAMP IT OUT.

THE POLICE HERE AT OTTER POINT, 

THE SOOKE RCMP, WERE VERY 

INTERESTED IN DISCREDITING 

ME AND IN ( FROM FOI ) INTERFERING 

WITH MY MUSIC CAREER. WHY? 

THE VANCOUVER POLICE, IN THE 

CITY WHERE I SOUGHT MY CAREER 

DID NOT INTERFERE WITH ME EXCEPT 

FOR FRITZ VERHOOVEN'S POLICE 

FRIEND FROM THE DOG SQUAD. ( I FORGOT. )

WHY WOULD POLICE BE INVOLVED 

WITH NOT A PARTYING BUT AN 

ORIGINAL COMPOSING AND 

LYRICIZING MUSICIAN?

CRINGE ME CRINGE ME: DIM MY LIGHTS

I JUST RECALLED WHAT SHUTS DOWN THE EXUBERANCE ENERGY AND CONFIDENCE OF THE LIVE ROCK PERFORMER.

THE CREATION OF WORRY, AND THE FEELING OF BEING WATCHED AND PROBED TO EXPOSE SOME DEFECT AND HAVING ONE'S MOTIVATION AND ONE'S DEDICATION AND PROFICIENCY AND EVEN ONE'S VERACITY AND SANITY QUESTIONED SAPS THE ENERGY AND BRAVADO OF THE LIVE ROCK PERFORMER.

WHEN I WAS AT MY PEAK IN CONFIDENCE AND IN PROFICIENCY THE ASSOCIATED CHEER AND ENERGY WAS MIS-CHARACTERIZED AS SOME LACK OF CONTROL OR LACK OF DECORUM OR LACK OF A REALISTIC OUTLOOK.

THEN THE FAMILY FELT ENTITLED TO STEAL FROM ME TO FORCE ME TO LABOR AT THEIR ONEROUS TASKS AND THEN OUTRAGED, THE FAMILY OF NARCISSISTS PHYSICALLY ATTACKED ME AND THEY DREW THE ATTENTION OF THE POLICE TO ME AND MY EX-WIFE AND HER LAWYER TRIED TO HAVE POLICE SEIZE MY GOODS AND MY MUSICAL INSTRUMENTS AND MY HOUSE AND STUDIO. THE DEFAMATION SPREAD AND OTHER PERSONS MADE THINGS UP ABOUT ME AND SENT DOGCATCHERS AND SHERIFFS AND BY-LAW OFFICERS OUT TO MY HOUSE AND STUDIO .......

CAN YOU BELIEVE I WAS CRINGING?

Postscript from Facebook:

Lindon Collard

  · 

Shared with Public

IT TAKES A LOT OF PRACTICE AND LIVE PERFORMANCE TO GET INTO THE ENERGETIC CONFIDENT EXUBERANT STATE OF MIND THAT IS NECESSARY TO GET UP IN FRONT OF AN AUDIENCE AND PLAY.

I HAVE HAD TO WORK MY WAY UP TO THAT GLORIOUS STATE FROM LAYING THERE UNABLE TO MOVE TO DANCE AND WAIL WITH MY HARMONICAS.

IT COULD TAKE ONLY A SINGLE BAD EXPERIENCE TO MAKE ME CRINGE AND TO BE UNABLE TO PERFORM OR EVEN TO LEAVE THE HOUSE DUE TO A RELAPSE INTO SHELL SHOCK OR TONIC IMMOBILITY.

SOME OF THOSE WHO LACK THE SPARK, WHO DO NOT FEEL LIKE PUTTING IN THE HOURS OF PRACTICE WHO WILL HARASS AND DEFAME AND FAKE 911 CALL AND RAID ME TOPPLING ME FROM THE GLORIOUS STATE OF CONFIDENT PERFORMANCE INTO THE FUGUE AND TERROR OF CRINGING.

MY LORD DO YOU EVER SUCK COMPARED TO JIMI

 

https://www.youtube.com/watch?v=dCrRLNeHyHY

You have to copy this and paste it into your search bar.

LOS ANGELES FORUM APRIL 26 1969

VODOO CHILD (SLIGHT RETURN)/ SUNSHINE OF YOUR LOVE.

BLACK STAR WHITE STAR

BLACK STAR WAS TOUTED AS BROOKLYN'S FINEST RAP.

I FOUND THEIR  TWO PERFORMANCES ON SATURDAY NIGHT LIVE TO BE MUCH THE SAME TRADITIONAL HAND WAVING AND WALKING ABOUT WHILE REPEATING AND REPEATING. IT WAS SO BORING.

WHITE STAR TAYLOR SWIFT'S POTENTIAL LIVE PERFORMANCE IS A CASH GRAB BY TICKET SELLERS AND RESELLERS IS WHAT HER FANS POST.

TAYLOR HAS SOME SLICK VIDEOS. IS SHE REALLY AS SLIM AS SHE IS PORTRAYED TO BE IN HER VIDEOS?

I NEVER LIKED SWIFT'S SCREECHY VOCALS. I REALLY LIKED GRACE SLICK, JANICE JOPLIN, SHERYL CROW AND AMY WINEHOUSE. I HAVE EMULATED THEIR VOCAL RIFFS. I DID A VERY LITTLE BIT OF KARAOKE: WHITE RABBIT, SUMMERTIME AND ME AND MY GIRLFRIEND LOUISE DID A DYNAMITE WHITE ROOM.  

THE PERSONAL NATURE OF ALL CREATIVE WORK

ART, MUSIC AND WRITING SHOULD NOT BE REGULATED, HAMPERED, AND CONDEMNED. 

THERE IS A PERSONAL NATURE TO CREATED WORKS. 

THE CONJURED VISIONS AND SOUNDS HAVE TO BE WILLINGLY VIEWED AND LISTENED TO. THE CREATIONS DO NOT AFFECT ANY OTHER UNWILLING PERSON.

THE INTERNAL PROCESS CAN BE ARDUOUS, TAXING AND INTENSE.

RACIAL DIVERSITY IN CINEMA

PRETENDING THAT ALL CULTURES WERE MULTI-RACIAL IS ABSURD.

THERE WERE MANY UNI RACIAL SOCIETIES. MIDDLE EARTH COULD READILY HAVE ONLY ONE RACE AND OTHER RACES WOULD LIVE WHERE THEY LIVED. THERE WERE NO AIRLINERS DISTRIBUTING THE DIFFERENT RACES.

MARIJUANAVILLE IN SOOKE WAS WHITE.

This is a gathering of Hippies a few miles away on the
Gulf Islands,
but it looks just like Marajuanaville in Sooke in 1979..

ADVANCED METHOD HAD A LOT OF EAST ASIAN CUSTOMERS WHO MADE JEWELRY.

WHEN I TRAVELED TO PLAY HARMONICA I HAD MANY BLACK ASSOCIATES.

I HAD MANY NATIVE INDIAN ASSOCIATES IN THE JEWELRY BUSINESS AND WHEN I CONDUCTED MY MUSICAL ADVENTURES. 

I KNEW AND WAS KNOWN BY A LOT OF CHINESE. I SHOPPED IN THEIR STORES AND ATE IN THEIR RESTAURANTS.

THERE WAS NOWHERE WHERE ALL OF THE DIFFERENT RACIAL GROUPS MET ALL AT ONCE. I WOULD WORK AND SHOP AND COOPERATE AND PERFORM WITH EACH GROUP WHERE I MET WITH THEM IN THEIR FRAGMENT OF SOCIETY OR AT A FACILITY WHERE I WAS A PARTICIPANT OR WHICH I HAD CREATED FOR WORK.

Watch my mache'!

There were paper mache' monsters in the windows at Burrvilla. Dragons.

MY HOUSE ON CRESCENT ISLAND HAD A NAME, " BURRVILLA".

What a cool name Laurel Canyon Canada would have had.

This is a picture of the Burr House on Crescent Island before I had it in the mid 1970`s.

When I had it it was still on Crescent Island with a nice 7 acre woodland grown up in front of it.

It was not nearly as nice as Laurel Canyon but the South FRASER  RIVER was out front and you could be back in downtown Vancouver in twenty minutes or walk on the dikes and the sandbars all the way to Steveston but on a different tree covered sandbar with an old fish shack road on it.

I WAS THERE A LOT, RECOVERING FROM BEING VIRTUALLY PARALYZED. MUSICIANS WOULD DROP BY.  SUNDAYS I WOULD ARRANGE TO HAVE ENOUGH MUSICIANS TO COME OUT WHEN I WAS ABLE TO HOST THE SPACE JAM. MY HOUSE WAS GIVEN TO ANTIQUE DEALER AND FAKER LANG FOR ONE DOLLAR ENDING MYSELF AND ALL OF MY MUSICAL CONNECTIVITY IN LATE 1978.

TRAVELLING WITH MARIJUANA IS HAZARDOUS. TRAVELLING AT ALL WAS MADE HAZARDOUS FOR ME. JUST LEAVING THE HOUSE MEANT I HAD TO RISK LOSING EVERYTHING. ALL MY ART, ALL MY WRITING, ALL OF MY MUSIC AND MY MUSICAL INSTRUMENTS

BRITTNEY GRINER WAS SENTENCED TO NINE YEARS AT HARD LABOR IN RUSSIA.

THE DANGER PRESENTED TO A MUSICIAN BY HAVING TO TRAVEL WITH MARIJUANA WOULD BE EXACERBATED IF A MUSICIAN HAD BEEN DEFAMED TO THE POLICE.

I AM PRETTY SURE THAT MY EX-WIFE AND THE SOOKE RCMP TRIED TO MAKE SOME SORT OF ARREST HAPPEN TO ME. THERE WAS AN OVERT ATTEMPT TO HOLD ME IN JAIL FOR TWO MONTHS WHICH WOULD EMPOWER MY EX-WIFE TO SEIZE AND SELL MY HOUSE AND GET HALF OF THE MONEY. THERE IS ALSO A LETTER WHERE HER INTENT WAS EXPRESSED TO SEIZE AND SELL MY MUSICAL INSTRUMENTS.

BRITTNEY GRINER, IN RUSSIA, HAS BEEN DEALT A TERRIBLE BLOW, NINE YEARS IN JAIL WILL REALLY WRECK HER BASKETBALL CAREER. 

IN MY CASE, THEY NEVER MANAGED TO GET ANYTHING ON ME, SO I WAS NOT DISPOSSESSED. 

LEAVING THE HOUSE BEHIND AFTER THE 1992 RCMP, SHERIFF, BY-LAW AND BAILIFF RAID WAS PROBLEMATIC. BETTY OR TRIXIE? WAS PARKED UP A SIDE ROAD WAITING FOR ME TO LEAVE SO THE SEIZURE COULD GO AHEAD AGAIN.

FORTUNATELY THERE WERE TWO PEOPLE AT THE HOUSE WHEN THE SEIZURE WAS ATTEMPTED. IN OCTOBER OF 1992 I WAS IN LONDON UK MAKING MY TRY TO GET WORK WITH MY WRITING AND MY HARMONICA PERFORMANCE. 

AFTER THIS TIME, NOBODY WOULD EVER STAY AT OTTER POINT HOUSE ANY MORE.

I BEGAN TO BE WORRIED WHENEVER I LEFT OTTER POINT HOUSE UNATTENDED.

JUST LIKE BRITTNEY GRINER HAS BEEN SEIZED AND CANNOT GET LOOSE, IF OTTER POINT HOUSE WAS SEIZED EVEN FOR AN HOUR, I WOULD NOT EVER GET IT LOOSE FROM THE RCMP AND MY WIFE.

THE BOORS WON, POLITIC ROCKER IS DEAD WITHOUT SOMETHING TO HELP FOR A CHANGE INSTEAD OF POUNDING AT LINDON AT HIS OTTER POINT ART, WRITING AND MUSIC STUDIO.

 

Lindon Collard

The me that was in 1978, Politic Rocker was killed by the women in my Family and bureaucrats I do mourn Politic Rocker. Politic Rocker came back to life in 1992 and Trixie Dashevesky or Betty Collard? my ex got me back from England where as Politic Rocker I was to meet with Charlie Watts at the Jazz Club to do my Politic Rocker Harmonica Performance. The Sooke RCMP, Provincial Sheriffs, Capital Region By-Law and Dogcatchers and Bailiffs too I think, were at my house at Otter Point BC to seize it for my ex-wife to sell off to get ``Her`` future income. Dhe had never been lawfully entitlrf to get anything from me, it was all Divorce Threat and False Accusation Threat Extortion. Politic Rocker was killed dead and despite applying Electric Music Practice to him a ten thousand times he has not come back to life except as a brief cartoon.They achieved the permanent death of and I mourn that interesting productive me dead as Politic Rocker.

ART, WRITING AND MUSIC ARE DELICATE AND VULNERABLE PURSUITS AS ONE TRIES TO FIND A NICHE OR AN EMPLOYMENT WITHOUT ABANDONING ART, WRITING AND MUSIC.

AT THE TIME THAT IT HAPPENS YOU DO NOT KNOW THAT YOU ARE KNOCKED OUT OF ANY CHANCE TO SUCCEED WITH THE WORK YOU ARE DOING. 

I ALWAYS FORGED ON, ADAPTING AND TRYING TO GET TO THAT DESIRED CULMINATION, BEING ABLE TO DO ONLY  MY ART, WRITING AND MUSIC.

AS SOON AS I LOST MY VANCOUVER LIFE, I GUESS I REALLY NEEDED TO BE ABLE TO KEEP THE HOUSE IN DELTA. IT IS HARD TO FIND PLACES WHERE YOU CAN HAVE LIVE BANDS REHEARSE AND SONGS ARE WHAT I WRITE. AFTER I SOLD THE FACTORY, I WOULD HAVE CONTINUED TO DESIGN AND MARKET NEW STYLES OF JEWELRY BUT I WAS A VICTIM OF THE NEIGHBORHOOD REDNECK ARSONIST.

I TRIED AND I TRIED FOR ANOTHER THIRTY-FIVE YEARS, BUT THE EXTRAORDINARY DELICACY AND VULNERABILITY OF THE CRIPPLED ARTIST PREVAILED AND I ALWAYS SHATTERED WHEN ANY OPPOSITION ARISED OR MY INFRASTRUCTURE WAS DESTROYED OR THE POLICE RAIDED. 

POSTSCRIPT OFABERGE IS IN THE NEWS FOR HIS HUNDRED YEAR OLD LOST WAX CASTINGS MAKING THE GOLD EGGS. I WAS DEFINITELY HIS PROGENY LOST WAX CASTING. 

POSTSCRIPT: ON MY FACEBOOK POST.

I WAS WILLING TO MAKE JEWELRY AS WELL AS DOING THE ART WRITING AND MUSIC. I HAS A NEW EGYPTIAN ROYALTY BASED JEWELRY LINE IN WAX AND IN RUBBER MOLDS. THE REDNECKS STOLE MY TWO PERSONAL ARTIFACTS FROM THE COLLECTION, THE EGYPTIAN DEATH VULTURE CLUTCHING A I KARAT DIAMOND AND NEFERTITI'S THREE GOLD FLY NECKLACE I HAS RECREATED.

MY PERSONAL JEWELRY WAS DOWN INSIDE A COUCH THAT DID NOT BURN BUT THAT JEWELRY AND MORE COOL JEWELRY WAS GONE AND I NEVER FOUND THE EVIDENCE OF MY 360 CHEAP GOLD RINGS MELTING. NO STONES, NO STEEL CLASPS FROM THE JEWELRY BOXES,

 

MY LAWYER AND I KNOW ABOUT YOUR NECK AND YOUR BACK (ACTUALLY MY SHELL SHOCK DISABILITY) AND WE ARE GOING TO PUT SO MUCH PRESSURE ON YOU, YOUR NECK AND YOUR BACK ARE GOING TO GO.

Total Recall from age 4 to age 76 1/2 

I WOKE UP THIS MORNING LONG BEFORE THE SUN CAME UP. I HAD TO START IN RIGHT AWAY TWISTING AND STRETCHING AND TRYING TO PULL MY SPINE INTO PLACE, MY NECK OUT OF LOCKED SPASM AND MY LEGS DOWN INTO ALIGNMENT.

LAST NIGHT I LAY, DRESSED TO PLAY, IN THE POSITION WHICH INJURY AND SHELLSHOCK FORCE ME INTO. AT 10:25 PM I FINALLY MADE IT TO MY FEET AND LAUNCHED RIGHT INTO MY NIGHTLY MUSIC PRACTICE.

THE PRACTICE WOULD LAST 25 MINUTES AND THEN I HAD TO GO TO BED. I WAS EXHAUSTED. 

I PLAYED MY LES PAUL AND SANG THE SPARSE LYRICS OF "FULLBLOWN SCHIZOPHRENIC" AND I DID THE 2005 "DANCE OF THE GOLDEN BODIED WITCHES". THERE IS A VIDEO ON YOUTUBE OF THAT WHICH I CANNOT FIND, BUT I FOUND THE SEQUENCED KURZWEIL MIDI FILE AND WHAT A GUITAR EXTRAVAGANZA GOES WITH IT!

GIBSON BLACK BEAUTY GUITAR: DARLING LESLIE PAUL

TOTAL RECALL FROM AGE 4 TO AGE 76 1/2.

AMERICA DAY IN AMERICA: I CANNOT BELIEVE IT. I WILL USE "SCHMALTZ SUCKS" AGAIN FOR THE MUSICAL ACCOMPANIMENT TO THE ARTISTICALLY IMPOVERISHED FOURTH OF JULY FIREWORKS IN WASHINGTON DC USA.

 SCHMALTZ SUCKS.

THE FIREWORKS DISPLAY WAS UNIMAGINATIVE.

TO PROVE I WATCHED IT, WASHINGTON POST MARCH, HOEDOWN, MAMBO FROM WESTSIDE BY THE USAF BAND.

I WILL VIEW THE OTHER CITIES AND THE OTHER BANDS.

DRAKE SITS IN WITH THE BACK STREET BOYS JULY 2 2022. I HAVE NEVER GOTTEN TO USE THE EXACT SAME TEXT TWICE IN A ROW. I AM SO EXCITED AT THE PROSPECT!

 

SCHMALTZ SUCKS.

CANADA DAY IN CANADA

SCHMALTZ SUCKS.

GLASTONBURY 2022 WEAK WOMEN PERFORMING

BILLIE ELLISH AND WOLF ALICE ARE TOUTED AS OUTPERFORMING THE GREAT BRITISH BANDS OF THE 1960'S UNTIL NOW.

WHAT A BUNCH OF POLITICALLY WOKE BALDERDASH. THIS IS RIDICULOUS.

WEAK, WEAK, WEAK, COMPARED WITH SHAKIRA TODAY AND JANICE JOPLIN OR GRACE SLICK OR NICKY HOPKINS IN THEIR DAY.  DOZENS OF BETTER THAN BILLIE FEMALE VOCAL PERFORMERS.

I LOOKED FOR MORE THAN "OXYTOXIN" BY ELLISH AND ONLY FOUND "WOLF ALICE" WHO WAS WEAK AND AFFECTED, PRETENTIOUS, OFF KEY AND HER BAND WAS TERRIBLE, FRAPPING WEAKLY AND WITHOUT MUSICALITY JUST LIKE THE BILLIE ELLISH BAND WAS.

FLASHING LIGHTS, CROWD HYPING, STAGE FOG, FLAMES AND WALKING UP AND DOWN THE STAGE MAKE THE STUPID UNTALENTED BILLIE ELLISH PERFORMANCE A SPECTACLE. 

THAT IS NOT GOOD MUSIC OR DANCE.

BACKING TRACKS OF HER OWN VOCAL ACCIDENTALLY PLAYED AT THE WRONG TIME AND SHE PRETENDED SURPRISE AS IF THAT KIND OF STUFF WOULD JUST MELT IN MY MOUTH. POSEUR! FAKE!

BILLIE ELLISH IS UGLY, FAT, AND CAN'T DANCE. SHE DID NOT SING IN OXYTOXIN. I WILL LOOK FOR MORE LIVE ELLISH AT GLASTONBURY BUT WHAT IS THIS PROMOTIONAL HYPE. WOMEN IT APPEARS MUST BE EXALTED TO GREATNESS REGARDLESS OF THEIR FAILINGS AS PERFORMERS AND THAT IS ABSURD.

JUNETEENTH

AGAINST A BACKGROUND OF BLACK SCHMALTZ, SWAYING, SCATTING AND GOSPELATEING . I LITERALLY ALMOST CANNOT STAND  MOST OF IT.

"NEO YO" AND "EARTH WIND AND FIRE" WERE HYPED AND MAN OH MAN DID THEY SUCK OR WHAT. YOU CAN LOOK AT THEM IF YOU WANT TO ON LINE.

THE EWF FALSETTOS ARE VERY FAIRY.

WHAT I FOUND INTERESTING WAS THE INCREDIBLE BASS LINE IN LET'S GROOVE I KEPT SEARCHING FOR ANOTHER BASSIST AS I COULD SEE THE "POSEUR POSSIBLY" FRONT MAN BASSIST WAS NOT PERFORMING THAT BURPING FUNK BASS LINE. I FOUND HIM, EARTH'S BURPING FUNK BASS IN THE BACK. HEY MAN!

TALIBE TERQUALE CALLS HIMSELF TALIBE. THOUSANDS OF BLACK CULTURE ADVOCATES RESPONDED WHEN I TRASHED HIM MANY LONG YEARS AGO.

HE SUCKS LIKE "DRAKE" AND "THE WEEKEND" SUCK LIKE ANDY WILLIAMS OR PERRY COMO WHITE GUY SUCKED.

I HAVE PLAYED LIVE WITH VERY GOOD BLACK MUSICIANS, WHO ROCKED OR DID ORIGINAL OR DYNAMIC BLUES.

JOE FRIED EGG WHITE PERFORMED AS PRESIDENT OF THE UNITED STATES.

BELL BIV DEVOE WAS A BRIGHT RHYTHMIC DANCING SPOT IN THE GRAY. THEY HAD A REALLY ENERGETIC AND SPOT ON THE RHYTHM BLACK CHIC DANCING AND LOOKING FIT AND ENTHUSIASTIC AND ACTUALLY ROCKING.

ALL THE BAND MEMBERS DANCED BETTER THAN ANYONE ELSE BLACK WALTZ SCHMALTZED AND STUMBLED AND MARCHED LOOKING PURPOSFUL

THEY PERFORMED RAP RHYTHMS SO THAT EVEN I A ROCK BIGOT THOUGHT THE WERE VERY CATCHY AND VERY PERSUASIVE OF THE MOOD THEY WANTED TO CREATE.

I  SUGGEST WATCHING BELL BIV DEVOE  IN A  VIDEO NOT OUT YET OF THEIR LIVE PERFORMANCE AT THE "JUNETEENTH" .

LINDON "MR COOL" COLLARD

WHY WOULD I HAVE EARNED THAT NAME?

DESPERATE TO PRACTICE WITH WELL REHEARSED BANDS I ALWAYS HAD MY EQUIPMENT WITH ME READY TO GO AND I WOULD BE PRACTICED RIGHT UP USING CD's TO BE ABLE TO PLAY WITH ROCK, JAZZ, COUNTRY AND BLUES BANDS AND THEIR  SUBVARIANT GENRES.

IF YOU WROTE A NEW SONG OR A  NEW ALBUM I WOULD LIKELY BE ABLE TO ACCOMPANY YOU AND PERHAPS EVEN EXPAND YOUR SONG WITH FURTHER EXTEMPORIZATION AT ANY LOCATION WHERE LIVE MUSIC WAS PERFORMED WITHOUT EXCLUSION THROUGH CATEGORIZATION DISCRIMINATION. 

MUSICIANS AND COMPOSERS LIKED THAT.

I WAS DEFAMED BECAUSE I REFUSED TO CONSIDER A MUSICIAN WHO RAN A BLUES COVER BAND TO BE A GREAT ARTIST. I THINK IN RETROSPECT THAT THE LOW GRADE COVER BANDS CLOGGED THE STAGES MAKING IT VERY HARD TO KEEP ORIGINAL MUSIC BANDS, THE ONLY REAL BANDS, EMPLOYED.

NEVERTHELESS I SAT IN WITH TONY'S BANDS A FEW TIMES. I JOINED HIM IN MY USUAL WRITING SESSIONS,TO PLAY THE NEW MUSIC OF SUE MEDLEY WHERE HE WAS A SIDEMAN, PERHAPS HIS MOST REAL AND VALUABLE ROLE AS A MUSICIAN. HE SAID THAT I HAD ORIGINATED MOST OF THE "RATCHES", THE SOARING ACCURATE EXPANSION OF THE SONG INTO AN EXPLOSIVE LEAD.