LIVE ROCK CRITIC

THIS blog WILL COMMENT ON LIVE ROCK PERFORMANCE. THE FIRST HUNDRED POSTS ; MY HONEST OPINION AS LIVE ROCK CRITIC. I have written lately of my own Live Rock journey and how it did end up wrecked on the rocks again and again. Still it is an incredible improvement to have recovered from virtual paralysis a number of times and be able to write and compose and play instruments and most of all to have been able to dance on stage and perfrorm on Harmonica with LIVE ROCK BANDS.

Monday, 25 April 2022

HAVE YOU EVER FELT THE TURBOS COME ON IN YOUR MIND?

THERE ARE THOSE GOLDEN MOMENTS WHEN I CAN FEEL THE TURBOS COME ON IN MY MIND AS I STRIVE TO CREATE SOMETHING NEW AND COMPLEX.


SONG WRITING: THE CREATION OF THE PERFECT SCORE AND THE SEARCHING FOR THE RIGHT WORD AND THE RIGHT PHRASING, CADENCE, AND ALLITERATION, THE RIGHT EUPHONY AND CACOPHONY AND CONNOTATION.


USING A SEQUENCED KURZWEIL K2000 OR LIVE MUSICIANS, A MAJORITY OF MY SONGS WERE WRITTEN BY CREATING A MUSICAL SCORE, PERFORMING IT WITH OTHER MUSICIANS OR MOST OFTEN LATELY, USING  KURZWEIL SEQUENCING.  THUS I CAN PLAY THE MOVEMENT AND SING THE LYRICS THAT ARE BEING CREATED. THE LYRICS AND THE MUSIC HAVE A CLOSER RELATIONSHIP TO EACH OTHER THAN WHEN A POEM OR A LYRIC SHEET IS SET TO MUSIC.


THROUGHOUT THE PROCESS, THE CORRECT TRUE SAMPLE INSTRUMENTS ARE CHOSEN. THE CONSTANTLY IMPROVING SEQUENCE IS IMPLEMENTED AND I BEGIN TO DANCE, A LOT ONCE UPON A TIME, ONLY A LITTLE NOW AFTER THIRTY SHELL SHOCK COLLAPSES. 


WHILE I DANCE I PLAY GUITAR, ROLAND SYNTHESIZER GUITAR, KEYBOARD AND HARMONICA, AND I SING THE SONG.





PERIODICALLY I WRITE LYRICS AND PERFORMANCE INSTRUCTIONS IN MY SONG BOOKS WHICH ARE ALWAYS OUT.


WHILE I AM DOING THIS THE TURBOS IN MY MIND ARE ON. THERE IS A FEELING AS IF I AM ACCELERATING AND WAVES OF ENERGY PULSE THROUGH MY BODY. MY HAIR IS STANDING ON END ALL OVER MY BODY. THE THRILL COURSES THROUGH MY BODY AND MY MIND.

Posted by Lindon Collard at 13:11 No comments:
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BILL MAHER ON LENNY KRAVITZ

Bill thought that Lenny looked so good that his Beverly Hills High School reunion compatriots would feel inadequate when they compared their  Aged Appearance  to Kravitz Appearance.


Lenny Kravitz was not too too fat, but he was awfully short in his elevator boots. I am pretty sure the messed up hair is dyed. I noticed the Mad Max leathers and chain mail, was that chain mail?


You can easily see images of Lenny Kravitz, on the net but I will not post his picture.

^PS: There are pictures on Facebook of a Built Up Kravitz.^ 

Lenny Kravitz is a really great guitarist and except for the elevator boots, his appearance might just be him as he is naturally is, not a posing as rough and tough. 


*****************************************

There was a denialist right wing Dork on the Bill Maher show on Friday the Eighteenth or the Twenty Fifth. He made statements like -Why have masking mandates when surgical masks and cloth masks are not much good anyway?- 


The effective mask is the H5N respirator mask and if both people passing like ships in a canal are wearing their masks properly there is a high degree of interruption of viral transmission.


The usual "how does anyone know and it could easily be different than it appears to be," was advanced in a number of Canard Formations.



Posted by Lindon Collard at 12:41 No comments:
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Sunday, 10 April 2022

RECKLESS DOUBLES

RECORDED "LIVE" ON TAPE IN 1993 AND ANIMATED IN 2009. 
MY STYLE "ROCK HARP" I USED TO CALL IT. NOW I AM AWARE
OF THE PROPER NOMENCLATURE. ROCK HARMONICIST I AM.
I HAVE BETTER SOUND COMING SOON, SOON ON YOUTUBE.

Posted by Lindon Collard at 19:08 No comments:
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PERFORM IN THE STYLE OF:

WHEN I WENT TO THE YALE TO PLAY I MIGHT ANNOUNCE "TONIGHT I AM GOING TO PLAY IN THE STYLE OF" SONNY BOY WILLIAMSON OR JAMES COTTON OR THE MOST RADICAL BLACK HARMONICIST, MY FAVORITE EMULATION, LITTLE WALTER.


LITTLE WALTER HAD A CRACKLE IN HIS SOUND THAT WAS HARD TO EMULATE, ONLY A PROPERLY SET UP AMPLIFIER COULD DO THAT. 


I have all my notes and some of my Amps have the colored paint dots used live on stage to set up to do the various artist's sounds. 


THEN I BECAME MORE CRIPPLED AND I COULD NOT CARRY MY AMPS SO I SWITCHED TO THE STRAIGHT INTO THE PA STYLE WHICH I USED WITH 6000 WATT PA's A FEW TIMES. 

I FORSWORE THE BLUES AND I SAID I PLAYED ROCK HARP AND I DID.


  

Posted by Lindon Collard at 18:49 No comments:
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HONEST TO GOD I JUST EMAILED THIS TO JOHN HORGAN, BRITISH COLUMBIA PREMIER, WHO IS MY MLA WHO DOES NOTHING OF THE CONSTITUENT SERVICES I REQUIRE.

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Email:

Lindon Collard <lindoncollard@gmail.com>

8:01 AM (4 minutes ago)
to John
Lindon Collard 4129 Otter Point Road Sooke BC V9Z0K2 250 642 7087 has not been included 
inadvertently or as well when email chains developed as a result of emailing the recipients.     

The email service will suggest multiple addressee's and I think thus you have been on an email 
chain accidentally allowed to execute it's spreading.

It is possible that your automatic reply and filtering has rejected email which was meant to be 
addressed to you. Only you, only you, can provide Constituent help and provide significant service.

It is possible that email meant for other persons arrived at your service.

No Problem! All of everything I wrote is for 

everyone to read everywhere and anywhere!

DO NOT WORRY IF ANY OF MY EMAIL WAS MISSED, I WILL BE SURE TO GET IT ALL TO YOU AS SOON AS POSSIBLE. 

**************************************************************************************************************
This is new email for you to ruminate upon and consider performing your constituent duties.

I first asked Harold Turnham, representing god knows who because ICBC failed to sign off on
my suit to be represented by Turnham in the required time frame, for $10 Million.

Then I in the early 2000's demanded $50 Million for loss of career as a "musician and businessman".

By the time I wrote and taped, videoed, animated too, 2000 music compositions or songs I was 
demanding from 2015 or possibly earlier:

 $500 Million Dollars based on the earnings of 

similarly skilled Musician-Composer-Performers 

such as David Bowie or Bob Dylan.


When I did Video as well as performance I began 

to demand $550 Million Dollars for loss of career 

as a musician, Composer, Performer and 

Videographer.

I just wrote a brand new song which I will 

rehearse and publish on Youtube. 

"Welcome To The Bottom" worked so well and 

I even danced to it for a few seconds at a time. 

The rhythm and cadence are my impression of WHAT TO PLAY OFF OF AMY 

WINEHOUSE`S FAMOUS VOCAL RIFF `` OH NO, NO, NO``. 

Do you remember it. 

$600 Million Dollars is what I will be suing for. 

``Individual and several liability undiminished by apportionment``means everyone involved will be held 

responsible and made to remedy everything.  

$600 Million each from each and every player.

Posted by Lindon Collard at 08:09 No comments:
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Friday, 1 April 2022

LAMO LAMO ON SATURDAY NIGHT LIVE ORIGINALLY AIRED NOVEMBER 6 2022. I SAW IT JUST NOW. DID ED SHEERAN'S SONGS RIPEN TO A GREATER SHADE OF LAME?

ED SHEERAN WAS SO LAME I DO NOT KNOW WHAT TO SAY ABOUT IT.


NO PICTURES, YOU CAN VIEW MISTER LAMO  AND THE FAT COSTUMOS  ON YOUTUBE.

I  DO NOT LIKE THE HUGE FAT LEGS AND ASSES AND I CAN HARDLY BEAR THE SIGHT OF ED SHEERAN. I DO NOT KNOW WHAT I DO NOT LIKE ABOUT SHEERAN, I AM REPULSED BY SOMETHING ABOUT HIM..


LIKE THE SINGING 1050'S FOURSOMES OF COLLEGE BOYS ON FOLK, HE WAS JUST STRUMMING ALONG WEAKLY SINGING A SONG.


I VIEWED A FEW BITS OF THE COMEDY SKETCHES WHICH I DID NOT FIND VERY FUNNY NOR WITTY AND I ACTUALLY COULD NOT STAND TO VIEW ANY MORE.


SAWEETIE PERFORMED, TALKING FAST WITH THE BAND CHOKED OUT BEHIND HER; SHE REPEATED AND REPEATED AND REPEATED OVER AND OVER AND OVER.


ANOTHER HEAVILY COSTUMED FAT SHAKER SANG IN SPANISH, MUMBLING WITH AN EVEN MORE CHOKED OUT BAND. THERE WAS NO DYNAMIC MUSIC.


ED SHEERAN OUT LAMED ALL OF THEM.


LAMO, LAMO, HE'S LAME LAME LAME.


I KNOW: SHEERAN  PRACTICES A GENRE CALLED "SMALTZ FOLK FUSION"!

Posted by Lindon Collard at 15:19 No comments:
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Lindon Collard
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